Art and Visual Perception: A Psychology of the Creative Eye |
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Page 6
... kind of process . According to gestalt psychologists , the cerebral area contains a field of electrochemical forces . These interact freely , unconstrained by the kind of compartmental division that is found among the retinal receptors ...
... kind of process . According to gestalt psychologists , the cerebral area contains a field of electrochemical forces . These interact freely , unconstrained by the kind of compartmental division that is found among the retinal receptors ...
Page 369
... kind of Linnean classifi- cation of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
... kind of Linnean classifi- cation of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
Page 372
... kind of connoisseur who looks only for the pattern does as little justice to the work as the kind of layman who looks only for the subject matter . When Whistler called the portrait of his mother Arrangement in Grey and Black , he ...
... kind of connoisseur who looks only for the pattern does as little justice to the work as the kind of layman who looks only for the subject matter . When Whistler called the portrait of his mother Arrangement in Grey and Black , he ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow