Art and Visual Perception: A Psychology of the Creative Eye |
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Page 42
... ( less simplicity ) than the brain's " willingness " to settle for the less simple ( but still quite simple ) square , which fits the stimulus better . In Figure 27 the rectangular relations between the units of the stimulus are less ...
... ( less simplicity ) than the brain's " willingness " to settle for the less simple ( but still quite simple ) square , which fits the stimulus better . In Figure 27 the rectangular relations between the units of the stimulus are less ...
Page 213
... less familiar with perspective representation , saw tilted objects more nearly in their " real " shape than British students . A further and most important factor derives from the projective pattern itself . We found that the spatial ...
... less familiar with perspective representation , saw tilted objects more nearly in their " real " shape than British students . A further and most important factor derives from the projective pattern itself . We found that the spatial ...
Page 224
... less clear - cut , if irregular differences of shape made the gradual decrease of size less obvious , and if the decrease of intervals were less even , the deviation from a simpler pattern would be less obvious . Or , to put it in other ...
... less clear - cut , if irregular differences of shape made the gradual decrease of size less obvious , and if the decrease of intervals were less even , the deviation from a simpler pattern would be less obvious . Or , to put it in other ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow