Art and Visual Perception: A Psychology of the Creative Eye |
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Page 107
... means of transportation and in the artist for whom cubes and circles are only a tickle to the eye . In such examples ... means borrowing a life situation to use only its pleasurable aspects . It means borrowing the suspense , the thrill ...
... means of transportation and in the artist for whom cubes and circles are only a tickle to the eye . In such examples ... means borrowing a life situation to use only its pleasurable aspects . It means borrowing the suspense , the thrill ...
Page 121
... means , not only that the better picture is one that leaves out unnecessary detail and chooses telling char- acteristics , but also that the relevant facts must be unambiguously conveyed to the eye . This is done by means of perceptual ...
... means , not only that the better picture is one that leaves out unnecessary detail and chooses telling char- acteristics , but also that the relevant facts must be unambiguously conveyed to the eye . This is done by means of perceptual ...
Page 273
... means of communication . Shape , however , is a more efficient means of communication than color ; on the other hand , the expressive impact of color cannot be obtained by shape . Shape yields an immense variety of clearly ...
... means of communication . Shape , however , is a more efficient means of communication than color ; on the other hand , the expressive impact of color cannot be obtained by shape . Shape yields an immense variety of clearly ...
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Common terms and phrases
angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow