Art and Visual Perception: A Psychology of the Creative Eye |
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Page 70
... object , because no actual change of geometric shape is involved . Instead it was found that under certain condi- tions a new orientation will bring to the fore a new structural skeleton that gives the object a different character ...
... object , because no actual change of geometric shape is involved . Instead it was found that under certain condi- tions a new orientation will bring to the fore a new structural skeleton that gives the object a different character ...
Page 256
... object , of which all the particular ones are parts . Painters , such as Caravaggio , have sometimes used strong lateral light to simplify and coördinate the spatial organization of their pic- tures . Roger de Piles has said that if objects ...
... object , of which all the particular ones are parts . Painters , such as Caravaggio , have sometimes used strong lateral light to simplify and coördinate the spatial organization of their pic- tures . Roger de Piles has said that if objects ...
Page 310
... object changes its shape and size and the other remains constant — for example , a line " growing out of ” a square — the variable object assumes the motion . The observer sees the line stretching away from the square , rather than the ...
... object changes its shape and size and the other remains constant — for example , a line " growing out of ” a square — the variable object assumes the motion . The observer sees the line stretching away from the square , rather than the ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow