Art and Visual Perception: A Psychology of the Creative Eye |
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Page 41
... pattern ; and the overlapping corners of B have no simple relationship to the structures of the rectangles D and E , into which they intrude . Why does the whole pattern hold together nevertheless ? Some of the simplifying factors have ...
... pattern ; and the overlapping corners of B have no simple relationship to the structures of the rectangles D and E , into which they intrude . Why does the whole pattern hold together nevertheless ? Some of the simplifying factors have ...
Page 219
... patterns in theory , only very few occur spontaneously in perception : those that produce the simplest possible conditions in regard to the pattern and the observer . These patterns do more than merely establish the main directions of ...
... patterns in theory , only very few occur spontaneously in perception : those that produce the simplest possible conditions in regard to the pattern and the observer . These patterns do more than merely establish the main directions of ...
Page 371
... pattern- reaches out toward the arm of Adam as though an animating spark , leaping from fingertip to fingertip , was transmitted from the creator to the creature . The bridge of the arm visually connects two separate worlds : the self ...
... pattern- reaches out toward the arm of Adam as though an animating spark , leaping from fingertip to fingertip , was transmitted from the creator to the creature . The bridge of the arm visually connects two separate worlds : the self ...
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Common terms and phrases
angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow