Art and Visual Perception: A Psychology of the Creative Eye |
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Page 187
... planes , the above - mentioned rules must be amended . We should expect that in Figure 175 the enclosed circle would lie as figure on top of the square , which in turn would rest on the ground plane . Instead we tend to see a square ...
... planes , the above - mentioned rules must be amended . We should expect that in Figure 175 the enclosed circle would lie as figure on top of the square , which in turn would rest on the ground plane . Instead we tend to see a square ...
Page 207
... planes or indeed not lying in any common plane at all , as indicated in Figure 193. If they prefer a particular arrangement , some principle of organization must account for it . This principle is familiar to us . We shall expect the ...
... planes or indeed not lying in any common plane at all , as indicated in Figure 193. If they prefer a particular arrangement , some principle of organization must account for it . This principle is familiar to us . We shall expect the ...
Page 218
... plane b in the spatial framework ab ( Figure 204 ) . The frontal plane f is tilted in relation to the framework — that is , the observer himself assumes the tilt . Version II cor- responds to what happens if we turn Figure 204 in such a ...
... plane b in the spatial framework ab ( Figure 204 ) . The frontal plane f is tilted in relation to the framework — that is , the observer himself assumes the tilt . Version II cor- responds to what happens if we turn Figure 204 in such a ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow