Art and Visual Perception: A Psychology of the Creative Eye |
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Page 66
... position of the object in relation to : ( 1 ) the structural skeleton of the surrounding visual world ; ( 2 ) the brain field on which the image is projected ; and ( 3 ) the structural framework of the observer's body as perceived ...
... position of the object in relation to : ( 1 ) the structural skeleton of the surrounding visual world ; ( 2 ) the brain field on which the image is projected ; and ( 3 ) the structural framework of the observer's body as perceived ...
Page 218
... position . Now the spatial framework CD is in line with the frontal plane and the observer . The horizontal ground d runs parallel with the observer's line of sight . In consequence the trapezium is no longer in a level position , but ...
... position . Now the spatial framework CD is in line with the frontal plane and the observer . The horizontal ground d runs parallel with the observer's line of sight . In consequence the trapezium is no longer in a level position , but ...
Page 386
... position seemed to lie in front more readily than those in peripheral position . It is also pos- sible that lower position favors the front . These results cannot be considered as safely established . They only indicate what directions ...
... position seemed to lie in front more readily than those in peripheral position . It is also pos- sible that lower position favors the front . These results cannot be considered as safely established . They only indicate what directions ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow