Art and Visual Perception: A Psychology of the Creative Eye |
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... possible worlds are M-possible worlds. Consequently, a modality of kind M is not absolute (it is restricted or merely relative) if there are some genuine possible worlds that are not M-possible worlds. What is necessary in only a ...
... possible worlds are M-possible worlds. Consequently, a modality of kind M is not absolute (it is restricted or merely relative) if there are some genuine possible worlds that are not M-possible worlds. What is necessary in only a ...
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... possible as aesthetic category ..., the existence of the possible, whereas events are the reality of the virtual forms of a thoughtNature that survey every possible universe.”73 While the artistic plane of composition is that of ...
... possible as aesthetic category ..., the existence of the possible, whereas events are the reality of the virtual forms of a thoughtNature that survey every possible universe.”73 While the artistic plane of composition is that of ...
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... possible for XtoV- where "V"isavariable for any verb- istostress the actualexistence of a possibility,that is, what possibility actually exists;whereas to saythatit is possible that X Vsis tostress the possible existence ofanactuality ...
... possible for XtoV- where "V"isavariable for any verb- istostress the actualexistence of a possibility,that is, what possibility actually exists;whereas to saythatit is possible that X Vsis tostress the possible existence ofanactuality ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow