Art and Visual Perception: A Psychology of the Creative Eye |
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Page 184
... present time can be only described but hardly related to more general principles from which they may derive . This is true for the role played by top - and - bottom orientation . In Figure 170 the white part is generally seen as lying ...
... present time can be only described but hardly related to more general principles from which they may derive . This is true for the role played by top - and - bottom orientation . In Figure 170 the white part is generally seen as lying ...
Page 383
... present chapter . Luquet ( 196 ) asserts that the child's drawings go through three main stages : incapacity for synthesis , intellectual real- ism , and visual realism . See also Goodenough ( 108 ) . P. 129. On the fusion of perception ...
... present chapter . Luquet ( 196 ) asserts that the child's drawings go through three main stages : incapacity for synthesis , intellectual real- ism , and visual realism . See also Goodenough ( 108 ) . P. 129. On the fusion of perception ...
Page 390
... present time , the reader may find discrepancies between the descriptions given here and his own impressions of a work . In the present case , a color print may reproduce the foreground and the hill to the right as rusty brown rather ...
... present time , the reader may find discrepancies between the descriptions given here and his own impressions of a work . In the present case , a color print may reproduce the foreground and the hill to the right as rusty brown rather ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow