Art and Visual Perception: A Psychology of the Creative Eye |
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Page 67
... reference at the same time . Most observers adapted the rod , to varying degrees , to the axis of the square , thus going along with the visual field in spite of differing postural evidence . Some observers were guided by their postural ...
... reference at the same time . Most observers adapted the rod , to varying degrees , to the axis of the square , thus going along with the visual field in spite of differing postural evidence . Some observers were guided by their postural ...
Page 276
... references to them are also found in books on the theory of color . But sketchy remarks based on the subjective ... reference to pure hues . If they do so at all , red would seem to be a warm color , blue a cold one . Pure yellow ...
... references to them are also found in books on the theory of color . But sketchy remarks based on the subjective ... reference to pure hues . If they do so at all , red would seem to be a warm color , blue a cold one . Pure yellow ...
Page 359
... reference to content and meaning , whereas the dynamic theme makes little sense without such a reference . Thus a formal- istic analysis talks about balance or unity but avoids the question without which the existence of the work ...
... reference to content and meaning , whereas the dynamic theme makes little sense without such a reference . Thus a formal- istic analysis talks about balance or unity but avoids the question without which the existence of the work ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow