Art and Visual Perception: A Psychology of the Creative Eye |
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Page 4
... seen for only a split second , will the disk be seen closer to the center than on leisurely inspection ? According to Wertheimer , an angle somewhat larger or smaller than ninety degrees will be seen as a right angle when exposed ...
... seen for only a split second , will the disk be seen closer to the center than on leisurely inspection ? According to Wertheimer , an angle somewhat larger or smaller than ninety degrees will be seen as a right angle when exposed ...
Page 323
... seen depends exclusively upon the perceptual conditions . Strong causality results under conditions where practical experience must call it absurd — for example , when a wooden ball is seen giving a push to a luminous disk projected on ...
... seen depends exclusively upon the perceptual conditions . Strong causality results under conditions where practical experience must call it absurd — for example , when a wooden ball is seen giving a push to a luminous disk projected on ...
Page 324
... seen mov- ing across the sky . In Michotte's basic experiment , A is at rest for a moment before it begins to move toward B. With no other source of energy in sight , A is thus seen as “ taking off , " that is , as generating its own ...
... seen mov- ing across the sky . In Michotte's basic experiment , A is at rest for a moment before it begins to move toward B. With no other source of energy in sight , A is thus seen as “ taking off , " that is , as generating its own ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow