Art and Visual Perception: A Psychology of the Creative Eye |
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Page 41
... structural features . By " features " I do not mean elements . They are structural properties that , as far as shape is concerned , can be described in terms of distance and angle . If I increase the number of the radii drawn in a ...
... structural features . By " features " I do not mean elements . They are structural properties that , as far as shape is concerned , can be described in terms of distance and angle . If I increase the number of the radii drawn in a ...
Page 62
... structural skeleton " of a visual object . For example , different triangles have different structural skeletons . The five patterns of Figure 73 are obtained by vertically moving one corner point and leaving the other two constant ...
... structural skeleton " of a visual object . For example , different triangles have different structural skeletons . The five patterns of Figure 73 are obtained by vertically moving one corner point and leaving the other two constant ...
Page 63
... structural skeleton , which consists primarily of the framework of axes and secondarily of characteristic correspondences of parts created by the axes . In the isosceles triangles of Figure 73 the two equal edges correspond to each ...
... structural skeleton , which consists primarily of the framework of axes and secondarily of characteristic correspondences of parts created by the axes . In the isosceles triangles of Figure 73 the two equal edges correspond to each ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow