 | Samuel Taylor Coleridge - 1816 - 242 pages
...during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | 1816 - 676 pages
...senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines; if that, indeed, can be...things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to... | |
 | English literature - 1816 - 592 pages
...lines of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...without any sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an... | |
 | Samuel Taylor Coleridge - 1828 - 374 pages
...during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen... | |
 | Samuel Taylor Coleridge - 1829 - 400 pages
...during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be...composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness... | |
 | English literature - 1829 - 558 pages
...of this composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of... | |
 | Samuel Taylor Coleridge - 1831 - 628 pages
...wbi.-li (mi'1 he has tho most vivid confidence that he could not have componed 1екч thiui from two lo nil the imageĢ rose UP b<Ttir<j him an things, witli n parallel production of the correspondent expressions,... | |
 | Robert Macnish - Hygiene - 1834 - 310 pages
...during which time he had the most vivid confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be...without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking his pen,... | |
 | Robert Macnish - Sleep - 1834 - 362 pages
...during which time he had the most vivid confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be...without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole: and, taking his pen,... | |
 | Samuel Taylor [poetical works] Coleridge - 1834 - 312 pages
...during which time he luw the most vivid confidence, that he could not have compound less tlmn from two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production of the correspondent expressions, without... | |
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... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 
