A Philosophical Inquiry Into the Source of the Pleasures Derived from Tragic Representations: From which is Deduced the Secret of Giving Dramatic Interest to Tragedies Intended for the Stage |
From inside the book
Results 1-5 of 61
Page ix
... - presentation , or circumstance , invariably produces an impression of a pleasing character , this impres- sion must obviously arise from some fixed principle B in our nature called into action by the agency of CALIFORNIA.
... - presentation , or circumstance , invariably produces an impression of a pleasing character , this impres- sion must obviously arise from some fixed principle B in our nature called into action by the agency of CALIFORNIA.
Page 12
... obvious to the philosopher the moment he discovered it , for all truths are obvious to those who perceive them ; but , not having discovered it , he does not form the remotest idea of its existence . A logical reasoner frequently ...
... obvious to the philosopher the moment he discovered it , for all truths are obvious to those who perceive them ; but , not having discovered it , he does not form the remotest idea of its existence . A logical reasoner frequently ...
Page 13
... obvious , that the idea which then exists in our mind , is an idea of the image , and not of the concealed object ? nei- ther is there any thing obscure in our idea of the image , as we cannot create an image without per- ceiving it ...
... obvious , that the idea which then exists in our mind , is an idea of the image , and not of the concealed object ? nei- ther is there any thing obscure in our idea of the image , as we cannot create an image without per- ceiving it ...
Page 23
... character continues to be persecuted to the last , and dies unable to avenge his wrongs . There are many reflections , then , as obviously suggested by Tragic Scenes , as those assigned by Schlegel THE SOURCE OF TRAGIC PLEASURE . 23.
... character continues to be persecuted to the last , and dies unable to avenge his wrongs . There are many reflections , then , as obviously suggested by Tragic Scenes , as those assigned by Schlegel THE SOURCE OF TRAGIC PLEASURE . 23.
Page 28
... obvious , that they would be all equally erroneous , in making one of the causes by which we are affected , the sole and only cause of all the emotions and feelings which we experience during the per- formance , as a thousand other ...
... obvious , that they would be all equally erroneous , in making one of the causes by which we are affected , the sole and only cause of all the emotions and feelings which we experience during the per- formance , as a thousand other ...
Other editions - View all
A Philosophical Inquiry Into the Source of the Pleasures Derived from Tragic ... Martin Macdermot No preview available - 2017 |
A Philosophical Inquiry Into the Source of the Pleasures Derived from Tragic ... Martin Macdermot No preview available - 2017 |
Common terms and phrases
acquainted action affected agreeable appear arising from Tragic audience beautiful cause character circumstances consequently curiosity degree delight derived from Tragic disagreeable distress duce endure energy enjoy enjoyment equally excite existence expression faculties feelings felt Fontenelle former genius happiness heart Helvetius Hence human nature idea ideal presence images imagination imitation impart impression influence intensity interest manner mental mind Miss Kelly modern tragedies never object observations obvious original ourselves pain passion pathy perceive perception person philosophers placed plea pleasure arising pleasure resulting poet poetical justice possess principles produce strong sensations propensity prove racter reason render Romeo and Juliet says scenes Schlegel SECRET OF GIVING sense sensible sentiments Shakspeare shew sion situation sorrow soul source of Tragic stings of conscience stoic stronger sufferings sympa sympathy taste tears theory thing tion traced tragedy Tragic Pleasure Tragic Representations tragic writer true truth tural virtue virtuous yielding
Popular passages
Page 129 - Mine eyes are made the fools o' the other senses, Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before.
Page 148 - Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurled, And now a bubble burst, and now a world.
Page 290 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will...
Page 179 - tis hard to combat, learns to fly ! For him no wretches born to work and weep Explore the mine or tempt the dangerous deep...
Page 286 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Page 179 - Sinks to the grave with unperceived decay, While Resignation gently slopes the way; And, all his prospects brightening to the last, His heaven commences ere the world be past.
Page 74 - To pay the mournful tribute of his tears ? Oh ! he will tell thee, that the wealth of worlds Should ne'er seduce his bosom to forego That sacred hour, when, stealing from the noise Of care and envy, sweet remembrance soothes With Virtue's kindest looks his aching breast, And turns his tears to rapture.
Page 384 - That for some vicious mole of nature in them As in their birth wherein they are not guilty Since nature cannot choose his origin By the o'ergrowth of some complexion Oft breaking down the pales and forts of reason...
Page 128 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw.
Page 155 - Subject, compound them, follow her and God. Love, hope, and joy, fair pleasure's smiling train, Hate, fear, and grief, the family of pain...