Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryRobert Logan analyses the uncommonly powerful aesthetic bond between Marlowe and Shakespeare. Not only does he take into account recent ideas about intertextuality, but he also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatist's connections. |
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Contents
Influence and Characterization in The Massacre | 31 |
Artistic Individuality and | 55 |
Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew | 117 |
Marlowes Tamburlaine Plays Shakespeares Henry V and | 143 |
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actions Adonis Aeneas aesthetic ambiguity Antony Antony and Cleopatra appears artistic asserts audience awareness Barabas become beginning behavior chapter characterization characters clear comic consequences containment context continuing conventional create critics death desire Dido differences discussion Doctor Faustus dramatic early Edward effect elements Elizabethan emotional especially evidence example expression feel figure forces give Henry Hero and Leander human ideal imagination indicate individual influence interest king language less lines Macbeth magic manliness Marlovian Marlowe Marlowe and Shakespeare Marlowe's means Merchant moral Moreover nature notion passage perspective play playwright poem political portray possible present Press protagonists psychological question response reveals Richard role says scene seems seen sense sexual Shakespeare Shylock similar soliloquy specific speech strong style success suggest Tamburlaine tradition understanding University University Press values Venus writers York