Music in Contemporary Indian Film: Memory, Voice, Identity

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Jayson Beaster-Jones, Natalie Sarrazin
Routledge, Oct 4, 2016 - Music - 224 pages
Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.
 

Contents

List of Figures and Tables
MADHUJA MUKHERJEE
Comeback at the End of Old Bollywood
Intertextual Pleasures
The Remixed Sound of
Mirchi Music Awards and the
Magic Destruction and Redemption in the Soundtracks
A R Rahmans
Iconic Voices in PostMillennium Tamil Cinema
Sounding the Himalayas
Imagining Rajasthan in Contemporary
The Adaptation
Interposition of the Local and
Afterword
List of Contributors

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About the author (2016)

Jayson Beaster-Jones is Associate Professor of Music at the University of California, Merced. He is the author of Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song (2015) and Music Commodities, Markets, and Values: Music as Merchandise (2016).

Natalie Sarrazin is Associate Professor of Music at the College at Brockport. She is the author of Indian Music for the Classroom (2009), as well as numerous publications on Indian film music.

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