The Track of the Repetend: Syntactic and Lexical Repetition in Modern Poetry |
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Page 2
... 4 Of the many who have had their say about repetition , about what it is and does and how it functions in a work of art ... Four Quartets . In his well - known digres- sion on time in the Confessions , Augustine moves away 2 The Track of ...
... 4 Of the many who have had their say about repetition , about what it is and does and how it functions in a work of art ... Four Quartets . In his well - known digres- sion on time in the Confessions , Augustine moves away 2 The Track of ...
Page 184
... Four Quartets , such an ambitious project cannot be undertaken here . As is evident in just fifteen lines of " Burnt Nor- ton , " the density and close interrelation of repetends are such that the poem is impossible to examine in ...
... Four Quartets , such an ambitious project cannot be undertaken here . As is evident in just fifteen lines of " Burnt Nor- ton , " the density and close interrelation of repetends are such that the poem is impossible to examine in ...
Page 190
... Four Quartets and that adequately registers the major change in tone and style of Eliot's later verse . It is as if the fruitless thrashings about , the redundancies of condemnation and dire prophecy have been exorcised and what emerges ...
... Four Quartets and that adequately registers the major change in tone and style of Eliot's later verse . It is as if the fruitless thrashings about , the redundancies of condemnation and dire prophecy have been exorcised and what emerges ...
Contents
Repetition Times Trace | 1 |
History and Structure | 45 |
Refrain Types Exemplified | 63 |
Copyright | |
7 other sections not shown
Common terms and phrases
analogous anaphoric appears appositional becomes beginning called clause close comes complex construction context contrast creates critical death definition effect elements Eliot equivalence example fact figures final force formal four frame function given gives groupings hand human idea identical implies initial involves kind language later less lexical lyric meaning medial metaphor mind mode modified nature noun opening pair parallelism passage pattern phonic phrase play poem poem's poet poetic poetry position possible predication present Press question reader reading reference refrain refrain line relation repeated repetends repetition rhetorical seems seen semantic sense sentence shift similar simile song sound speech stanza statement Stevens Stevens's strophe structure suggests symmetry syntactic syntactic repetition syntax takes terminal things thought tion turn units University verse Whitman whole wind