The Track of the Repetend: Syntactic and Lexical Repetition in Modern Poetry |
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Page 99
... Prospero is ready to take his Kierkegaardian journey " Sailing alone , out over seventy thousand fathoms , " ( p . 358 ) with no artistic or magical buffer between it and him . De- termining this , Prospero asks himself : Can I learn to ...
... Prospero is ready to take his Kierkegaardian journey " Sailing alone , out over seventy thousand fathoms , " ( p . 358 ) with no artistic or magical buffer between it and him . De- termining this , Prospero asks himself : Can I learn to ...
Page 101
... Prospero's speech in the first part , being the diabolic mirror image of Prospero's position . ( The two speeches are , moreover , formally similar . Both use colloquial diction in a conversational idiom packed into a tight form ...
... Prospero's speech in the first part , being the diabolic mirror image of Prospero's position . ( The two speeches are , moreover , formally similar . Both use colloquial diction in a conversational idiom packed into a tight form ...
Page 103
... Prospero's circle is various . Critics have been in serious disagreement here , most positing theories which view all those in the circle of song to be reformed and penitent already , others siding with Antonio's vision of things ...
... Prospero's circle is various . Critics have been in serious disagreement here , most positing theories which view all those in the circle of song to be reformed and penitent already , others siding with Antonio's vision of things ...
Contents
Repetition Times Trace | 1 |
History and Structure | 45 |
Refrain Types Exemplified | 63 |
Copyright | |
7 other sections not shown
Common terms and phrases
analogous anaphoric appears appositional becomes beginning called clause close comes complex construction context contrast creates critical death definition effect elements Eliot equivalence example fact figures final force formal four frame function given gives groupings hand human idea identical implies initial involves kind language later less lexical lyric meaning medial metaphor mind mode modified nature noun opening pair parallelism passage pattern phonic phrase play poem poem's poet poetic poetry position possible predication present Press question reader reading reference refrain refrain line relation repeated repetends repetition rhetorical seems seen semantic sense sentence shift similar simile song sound speech stanza statement Stevens Stevens's strophe structure suggests symmetry syntactic syntactic repetition syntax takes terminal things thought tion turn units University verse Whitman whole wind