The Track of the Repetend: Syntactic and Lexical Repetition in Modern Poetry |
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... Yeats . Copyright 1940 by Georgie Yeats , renewed 1968 by Bertha Georgie Yeats , Michael Butler Yeats , and Anne Yeats ; reprinted with permission of Macmillan Pub- lishing Company . T. S. Eliot , from " The Wasteland , " " The Love ...
... Yeats . Copyright 1940 by Georgie Yeats , renewed 1968 by Bertha Georgie Yeats , Michael Butler Yeats , and Anne Yeats ; reprinted with permission of Macmillan Pub- lishing Company . T. S. Eliot , from " The Wasteland , " " The Love ...
Page 72
... Yeats and Thomas , the refrain often represents these mental pat- terns and ratiocinative processes . But , as mentioned above , the ultimate value of engagement in speech is certainly not unassail- able . For where such processes were ...
... Yeats and Thomas , the refrain often represents these mental pat- terns and ratiocinative processes . But , as mentioned above , the ultimate value of engagement in speech is certainly not unassail- able . For where such processes were ...
Page 82
... Yeats's work , particularly in the later poems . In many , the stanzaic subject of discussion is dropped or ignored , or a refrain response that is at first pertinent becomes ironic or comically unyielding in its repetition . To quote a ...
... Yeats's work , particularly in the later poems . In many , the stanzaic subject of discussion is dropped or ignored , or a refrain response that is at first pertinent becomes ironic or comically unyielding in its repetition . To quote a ...
Contents
Repetition Times Trace | 1 |
History and Structure | 45 |
Refrain Types Exemplified | 63 |
Copyright | |
7 other sections not shown
Common terms and phrases
analogous anaphoric appears appositional becomes beginning called clause close comes complex construction context contrast creates critical death definition effect elements Eliot equivalence example fact figures final force formal four frame function given gives groupings hand human idea identical implies initial involves kind language later less lexical lyric meaning medial metaphor mind mode modified nature noun opening pair parallelism passage pattern phonic phrase play poem poem's poet poetic poetry position possible predication present Press question reader reading reference refrain refrain line relation repeated repetends repetition rhetorical seems seen semantic sense sentence shift similar simile song sound speech stanza statement Stevens Stevens's strophe structure suggests symmetry syntactic syntactic repetition syntax takes terminal things thought tion turn units University verse Whitman whole wind