The Track of the Repetend: Syntactic and Lexical Repetition in Modern Poetry |
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Page 173
... anadiplosis . Like other fig- ures Eliot uses , this one allowed him certain chiastic possibilities which were simply not present to him in more anaphoric align- ments . As is the case with many classical figures of rhetoric , the ...
... anadiplosis . Like other fig- ures Eliot uses , this one allowed him certain chiastic possibilities which were simply not present to him in more anaphoric align- ments . As is the case with many classical figures of rhetoric , the ...
Page 175
... anadiplosis , while those which begin the new lines ( in lines 2 , 3 , and 4 ) are increas- ingly mediated ( " rock " / " rock " ; " road " / " the road " ; " mountains " / " which are mountains " in lines 3 and 4 ) . The re- petends ...
... anadiplosis , while those which begin the new lines ( in lines 2 , 3 , and 4 ) are increas- ingly mediated ( " rock " / " rock " ; " road " / " the road " ; " mountains " / " which are mountains " in lines 3 and 4 ) . The re- petends ...
Page 176
... anadiplosis allows the reader to trace the shifting of the poem's semantic center of grav- ity . As we have seen , the anaphoric forms run the risk of trivial- izing their paradigmatic elements , because such arrangements provide no way ...
... anadiplosis allows the reader to trace the shifting of the poem's semantic center of grav- ity . As we have seen , the anaphoric forms run the risk of trivial- izing their paradigmatic elements , because such arrangements provide no way ...
Contents
Repetition Times Trace | 1 |
History and Structure | 45 |
Refrain Types Exemplified | 63 |
Copyright | |
7 other sections not shown
Common terms and phrases
analogous anaphoric appears appositional becomes beginning called clause close comes complex construction context contrast creates critical death definition effect elements Eliot equivalence example fact figures final force formal four frame function given gives groupings hand human idea identical implies initial involves kind language later less lexical lyric meaning medial metaphor mind mode modified nature noun opening pair parallelism passage pattern phonic phrase play poem poem's poet poetic poetry position possible predication present Press question reader reading reference refrain refrain line relation repeated repetends repetition rhetorical seems seen semantic sense sentence shift similar simile song sound speech stanza statement Stevens Stevens's strophe structure suggests symmetry syntactic syntactic repetition syntax takes terminal things thought tion turn units University verse Whitman whole wind