The Track of the Repetend: Syntactic and Lexical Repetition in Modern Poetry |
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Page 14
... kind are equivalent in that each may occur in the environment -ness , for example . On this basis , and to this extent , they are members of the same paradigm . In the same manner we may speak of the paradigms or classes constituted by ...
... kind are equivalent in that each may occur in the environment -ness , for example . On this basis , and to this extent , they are members of the same paradigm . In the same manner we may speak of the paradigms or classes constituted by ...
Page 15
... kind supposed by structural linguists and theorists to be especially dominant in the poetic context , for this kind of equivalence , as Jakobson saw it , spills over into what we normally think of as the metaphorical area of language ...
... kind supposed by structural linguists and theorists to be especially dominant in the poetic context , for this kind of equivalence , as Jakobson saw it , spills over into what we normally think of as the metaphorical area of language ...
Page 145
... kind closest to anaphora makes use of homoeoteleuton , with its varied root - beginnings , as in this passage from " Song of Myself " : Walking the old hills of Judaea with the beautiful gentle God by my side , Speeding through space ...
... kind closest to anaphora makes use of homoeoteleuton , with its varied root - beginnings , as in this passage from " Song of Myself " : Walking the old hills of Judaea with the beautiful gentle God by my side , Speeding through space ...
Contents
Repetition Times Trace | 1 |
History and Structure | 45 |
Refrain Types Exemplified | 63 |
Copyright | |
7 other sections not shown
Common terms and phrases
analogous anaphoric appears appositional becomes beginning called clause close comes complex construction context contrast creates critical death definition effect elements Eliot equivalence example fact figures final force formal four frame function given gives groupings hand human idea identical implies initial involves kind language later less lexical lyric meaning medial metaphor mind mode modified nature noun opening pair parallelism passage pattern phonic phrase play poem poem's poet poetic poetry position possible predication present Press question reader reading reference refrain refrain line relation repeated repetends repetition rhetorical seems seen semantic sense sentence shift similar simile song sound speech stanza statement Stevens Stevens's strophe structure suggests symmetry syntactic syntactic repetition syntax takes terminal things thought tion turn units University verse Whitman whole wind