The Track of the Repetend: Syntactic and Lexical Repetition in Modern Poetry |
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Page 48
... stanzaic form , and since it contains only two stanzas , it is hard to tell if such regularity would have been maintained had more stanzas of this chorus been written . ( One is reminded here of the discom- fiture of Wilamowitz at the ...
... stanzaic form , and since it contains only two stanzas , it is hard to tell if such regularity would have been maintained had more stanzas of this chorus been written . ( One is reminded here of the discom- fiture of Wilamowitz at the ...
Page 56
... stanzaic closure by anticipating the sec- ond . Since terminal refrains make up the largest grouping by far , and since most of our examples for analysis will be taken from this grouping , only two generalizations need be made : 1 ...
... stanzaic closure by anticipating the sec- ond . Since terminal refrains make up the largest grouping by far , and since most of our examples for analysis will be taken from this grouping , only two generalizations need be made : 1 ...
Page 205
... stanzaic paradigms , what we find are sequences of which the rigid mathematics are somewhat too obvious and ex- acting ; there is little room for spontaneity or invention , and even when a verse is set ablaze by the flint of a brilliant ...
... stanzaic paradigms , what we find are sequences of which the rigid mathematics are somewhat too obvious and ex- acting ; there is little room for spontaneity or invention , and even when a verse is set ablaze by the flint of a brilliant ...
Contents
Repetition Times Trace | 1 |
History and Structure | 45 |
Refrain Types Exemplified | 63 |
Copyright | |
7 other sections not shown
Common terms and phrases
analogous anaphoric appears appositional becomes beginning called clause close comes complex construction context contrast creates critical death definition effect elements Eliot equivalence example fact figures final force formal four frame function given gives groupings hand human idea identical implies initial involves kind language later less lexical lyric meaning medial metaphor mind mode modified nature noun opening pair parallelism passage pattern phonic phrase play poem poem's poet poetic poetry position possible predication present Press question reader reading reference refrain refrain line relation repeated repetends repetition rhetorical seems seen semantic sense sentence shift similar simile song sound speech stanza statement Stevens Stevens's strophe structure suggests symmetry syntactic syntactic repetition syntax takes terminal things thought tion turn units University verse Whitman whole wind