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Gon. Was Milan thrust from Milan, that his issue Should become kings of Naples? O! rejoice Beyond a common joy, and set it down With gold on lasting pillars. In one voyage Did Claribel her husband find at Tunis; And Ferdinand, her brother, found a wife,

Where he himself was lost; Prospero his dukedom,

In a poor isle; and all of us, ourselves,

When no man was his own.

Alon. Give me your hands:

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Alon. These are not natural events; they strengthen From strange to stranger.-Say, how came you hither? Boats. If I did think, sir, I were well awake, I'd strive to tell you. We were dead of sleep, And (how we know not) all clapp'd under hatches, Where, but even now, with strange and several noises Of roaring, shrieking, howling, jingling chains, And more diversity of sounds, all horrible, We were awak'd; straightway, at liberty: Where we, in all her trim, freshly beheld Our royal, good, and gallant ship; our master Capering to eye her: on a trice, so please you, Even in a dream, were we divided from them, And were brought moping hither.

Ari.

Was 't well done?

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Set Caliban and his companions free;
Untie the spell. [Ex. ARIEL.] How fares my gracious sir?
There are yet missing of your company

Some few odd lads, that you remember not.

Re-enter ARIEL, driving in CALIBAN, STEPHANO, and TRINCULO, in their stolen apparel.

Ste. Every man shift for all the rest, and let no man take care for himself, for all is but fortune. Coragio! bully-monster, coragio!

Trin. If these be true spies which I wear in my head, here's a goodly sight.

Cal. O Setebos! these be brave spirits, indeed.

How fine my master is! I am afraid

He will chastise me.
Seb.

Ha, ha !

What things are these, my lord Antonio?

Will money buy them?
Ant.

Very like: one of them

Is a plain fish, and, no doubt, marketable.
Pro. Mark but the badges of these men, my lords,
Then say, if they be true. This mis-shapen knave,

[TO FER. and MIR. His mother was a witch; and one so strong

Let grief and sorrow still embrace his heart,

That doth not wish you joy!

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1 The entrance of the cell opens, and: in f. e. 2 without: in f. e.

That could control the moon, make flows and ebbs,
And deal in her command with all her power.
These three have robb'd me; and this demi-devil
(For he's a bastard one) had plotted with them
To take my life: two of these fellows you
Must know, and own; this thing of darkness I
Acknowledge mine.

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Alon. Is not this Stephano, my drunken butler ? Seb. He is drunk now: where had he wine? Alon. And Trinculo is reeling ripe: where should they Find this grand liquor that hath gilded 'em?How cam'st thou in this pickle ?

Trin. I have been in such a pickle, since I saw you last, that, I fear me, will never out of my bones: I shall not fear fly-blowing.

Seb. Why, how now, Stephano!

Alon. Hence, and bestow your luggage where you found it.

Seb. Or stole it, rather. [Ex. CAL., STE., and TRIN.
Pro. Sir, I invite your highness, and your train,

To my poor cell, where you shall take your rest
For this one night; which, part of it, I'll waste
With such discourse, as, I not doubt, shall make it
Go quick away; the story of my life,

And the particular accidents gone by,

Ste. O! touch me not: I am not Stephano, but a Since I came to this isle: and in the morn,

cramp.

Pro. You'd be king of the isle, sirrah?

Ste. I should have been a sore one then.

Alon. This is as strange a thing as e'er I look'd on. [Pointing to CALIBAN.

Pro. He is as disproportion'd in his manners,

As in his shape. -Go, sirrah, to my cell;

Take with you your companions: as you look

To have my pardon, trim it handsomely.

Cal. Ay, that I will; and I'll be wise hereafter,

And seek for grace. What a thrice-double ass

Was I, to take this drunkard for a god,

And worship this dull fool?
Pro.

Go to; away!

I'll bring you to your ship, and so to Naples,
Where I have hope to see the nuptial
Of these our dear-beloved solemniz'd;
And thence retire me to my Milan, where
Every third thought shall be my grave.
Alon.

I long

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EPILOGUE.

SPOKEN BY PROSPERO.

Now my charms are all o'erthrown,
And what strength I have 's mine own;
Which is most faint: now, 't is true,
I must be here confin'd by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon'd the deceiver, dwell
In this bare island, by your spell;
But release me from my bands,
With the help of your good hands.

1 f. e. Exeunt.

Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant;
And my ending is despair,
Unless I be reliev'd by prayer;
Which pierces so, that it assaults
Mercy itself, and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.

[Exeunt Omnes.

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SCENE: sometimes in Verona; sometimes in Milan, and on the frontiers of Mantua.

ACT I.

SCENE I.--An open place in Verona. Enter VALENTINE and PROTEUS. Val. Cease to persuade, my loving Proteus: Home-keeping youth have ever homely wits. Wer 't not, affection chains thy tender days To the sweet glances of thy honour'd love, I rather would entreat thy company To see the wonders of the world abroad, Than, living dully sluggardiz'd at home, Wear out thy youth with shapeless idleness. But since thou lov'st, love still, and thrive therein, Even as I would, when I to love begin.

Pro. Wilt thou begone? Sweet Valentine, adieu. Think on thy Proteus, when thou haply seest Some rare note-worthy object in thy travel: Wish me partaker in thy happiness, When thou dost meet good hap; and in thy danger,

If ever danger do environ thee,

Commend thy grievance to my holy prayers,
For I will be thy bead's-man,a Valentine.

Val. And on a love-book pray for my success.
Pro. Upon some book I love, I'll pray for thee.
Val. That's on some shallow story of deep love,

How young Leander cross'd the Hellespont.
Pro. That's a deep story of a deeper love,

For he was more than over shoes in love.

Val. 'T is true; but you are over boots in love, And yet you never swam the Hellespont.

Pro. Over the boots? nay, give me not the boots.
Val. No, I will not, for it boots thee not.
Pro.

What?

4

Val. To be in love where scorn is bought with groans; Coy looks, with heart-sore sighs; one fading moment's mirth,

With twenty watchful, weary, tedious nights:

If haply won, perhaps, a hapless gain;

If lost, why then a grievous labour won:

However, but a folly bought with wit,
Or else a wit by folly vanquished.

Pro. So, by your circumstance you call me fool.
Val. So, by your circumstance, I fear you'll prove.
Pro. 'Tis love you cavil at: I am not love.

Val. Love is your master, for he masters you;

And he that is so yoked by a fool,
Methinks, should not be chronicled for wise.
Pro. Yet writers say, as in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all.

Val. And writers say, as the most forward bud
Is eaten by the canker ere it blow,
Even so by love the young and tender wit
Is turn'd to folly; blasting in the bud,
Losing his verdure even in the prime,
And all the fair effects of future hopes.
But wherefore waste I time to counsel thee,
That art a votary to fond desire?

Once more adieu. My father at the road
Expects my coming, there to see me shipp'd.

Pro. And thither will I bring thee, Valentine.

Val. Sweet Proteus, no; now let us take our leave.

To Milan let me hear from thee by letters,
Of thy success in love, and what news else
Betideth here in absence of thy friend,
And I likewise will visit thee with mine.

Pro. All happiness bechance to thee in Milan.
Val. As much to you at home; and so, farewell. [Exit.

Pro. He after honour hunts, I after love:

He leaves his friends to dignify them more;
I leave myself, my friends, and all for love.
Thou, Julia, thou hast metamorphos'd me;
Made me neglect my studies, lose my time,
War with good counsel, set the world at nought,
Made wit with musing weak, heart sick with thought.

Enter SPEED.

Speed. Sir Proteus, save you. Saw you my master?

1 for: in f. e. 2 One who prays for another: the word is derived from the dropping of a bead in a rosary, at each prayer recited. 3 for: in f. e. 4 Supposed by Knight to refer to the instrument of torture, the boot, by which the sufferer's leg was crushed by wedges driven between it and the boot in which it was placed. Collier says it is a proverbial expression, signifying "don't make a laughing

stock of me."

Pro. But now he parted hence to embark for Milan. Give her no token but stones, for she's as hard as steel." Speed. Twenty to one, then, he is shipp'd already,

And I have play'd the sheep in losing him.

Pro. Indeed a sheep doth very often stray,

An if the shepherd be awhile away.

Pro. What! said she nothing?

Speed. No, not so much as "Take this for thy pains." To testify your bounty, I thank you, you have testern'da me; in requital whereof, henceforth [Exit.

Speed. You conclude, that my master is a shepherd, carry your letters yourself. And so, sir, I'll commend then, and I a sheep?

Pro. I do.

Speed. Why then, my horns are his horns, whether

I wake or sleep.

Pro. A silly answer, and fitting well a sheep.
Speed. This proves me still a sheep.

Pro. True, and thy master a shepherd.

Speed. Nay, that I can deny by a circumstance.

Pro. It shall go hard, but I'll prove it by another. Speed. The shepherd seeks the sheep, and not the sheep the shepherd; but I seek my master, and my master seeks not me: therefore, I am no sheep.

Pro. The sheep for fodder follow the shepherd, the shepherd for food follows not the sheep; thou for wages followest thy master, thy master for wages follows not thee: therefore, thou art a sheep.

Speed. Such another proof will make me cry "baa." Pro. But, dost thou hear? gav'st thou my letter to Julia?

Speed. Ay, sir: I, a lost mutton, gave your letter to her, a laced mutton'; and she, a laced mutton, gave me, a lost mutton, nothing for my labour.

Pro. Here's too small a pasture for such store of muttons.

Speed. If the ground be overcharg'd, you were best

stick her.

Pro. Nay, in that you are a stray, 't were best pound

you.

Speed. Nay, sir, less than a pound shall serve me for carrying your letter.

Pro. You mistake: I mean the pound, the pinfold.
Speed. From a pound to a pin? fold it over and over,
'T is threefold too little for carrying a letter to your lover.
Pro. But what said she? did she nod?
Speed. I.

you to my master.

9

Pro. Go, go, be gone, to save your ship from wreck,
Which cannot perish, having thee aboard,
Being destin'd to a drier death on shore.-
I must go send some better messenger :
I fear my Julia would not deign my lines,
Receiving them from such a worthless post. [Exit.10

SCENE II. - The Same. Julia's Garden.
Enter JULIA and LUCETTA.

Jul. But say, Lucetta, now we are alone,
Wouldst thou, then, counsel me to fall in love?
Luc. Ay, madam; so you stumble not unheedfully.

Jul. Of all the fair resort of gentlemen,
That every day with parle encounter me,
In thy opinion which is worthiest love?

Luc. Please you, repeat their names, I'll show my
mind,

According to my shallow simple skill.

Jul. What think'st thou of the fair Sir Eglamour?
Luc. As of a knight well-spoken, neat and fine;

But, were I you, he never should be mine.

Jul. What think'st thou of the rich Mercutio ?11
Luc. Well, of his wealth; but of himself, so, so.
Jul. What think'st thou of the gentle Proteus?
Luc. Lord, lord! to see what folly reigns in us!
Jul. How now? what means this passion at his name?
Luc. Pardon, dear madam: 'tis a passing shame,
That I, unworthy body as I am,
Should censure thus a loving12 gentleman.

Jul. Why not on Proteus, as of all the rest?
Luc. Then thus, of many good I think him best.
Jul. Your reason?

Luc. I have no other but a woman's reason:

[SPEED nods. I think him so, because I think him so.

Pro. Nod, I? why that's noddy.2
Speed. You mistook, sir: I say she did nod, and you

ask me, if she did nod? and I say I.

Pro. And that set together, is noddy.

Speed. Now you have taken the pains to set it together, take it for your pains.

Pro. No, no; you shall have it for bearing the letter.
Speed. Well, I perceive I must be fain to bear with you.
Pro. Why, sir, how do you bear with me?

Speed. Marry, sir, the letter very orderly; having nothing but the word noddy for my pains.

Pro. Beshrew me, but you have a quick wit.

Speed. And yet it cannot overtake your slow purse.
Pro. Come, come; open the matter in brief: what

said she?

Speed. Open your purse, that the money, and the matter, may be both at once deliver'd.

Pro. Well, sir, here is for your pains. What said [Giving him money.

she?

3

Speed. Truly, sir, I think you'll hardly win her.
Pro. Why? Couldst thou perceive so much from her?
Speed. Sir, I could perceive nothing at all from her
better;

No, not so much as a ducat for delivering your letter;
And being so hard to me that brought to her your mind,
I fear she'll prove as hard to you in telling you her mind.

Jul. And wouldst thou have me cast my love on him?
Luc. Ay, if you thought your love not cast away.
Jul. Why, he, of all the rest, hath never mov'd me.
Luc. Yet he, of all the rest, I think, best loves ye.
Jul. His little speaking shows his love but small.
Luc. Fire that 's closest kept burns most of all.
Jul. They do not love, that do not show their love.
Luc. O! they love least, that let men know their love.
Jul. I would I knew his mind.
Luc.

Peruse this paper, madam.
Jul. "To Julia." Say, from whom. [Gives a letter. 13
Luc.
That the contents will show.

Jul. Say, say, who gave it thee?

Luc. Sir Valentine's page; and sent, I think, from
Proteus.

He would have given it you, but I, being in the way,
Did in your name receive it: pardon the fault, I pray.

Jul. Now, by my modesty, a goodly broker!
Dare you presume to harbour wanton lines?
To whisper and conspire against my youth?
Now, trust me, 'tis an office of great worth,
And you an officer fit for the place.
There, take the paper: see it be return'd, [Gives it back.14
Or else return no more into my sight.

Luc. To plead for love deserves more fee than hate.
Jul. Will you be gone?

5 to her:

1 Most commentators make this mean, a dressed-up courtesan. Knight suggests that, (lace being used in its primitive meaning of any 2 The old name for the knave or fool of a pack of cards. 34 Not in f. e. thing that catches or secures) it means caught sheep. not in f. e. 6 telling your mind in f. e. 7 This speech is printed as prose in f. e. 8 A testern is a sixpence. 9 Not in f. e. 10 Exeunt: in f. e. 11 Mercatio: in f. e. 12 on lovely: in f. e. 13 14 Not in f. e.

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Since maids, in modesty, say "No," to that

I throw thy name against the bruising stones,
Trampling contemptuously on thy disdain.
And here is writ-"love-wounded Proteus." -

Which they would have the profferer construe, "Ay." Poor wounded name! my bosom, as a bed,

Fie, fie! how wayward is this foolish love,

That like a testy babe will scratch the nurse,

And presently, all humbled, kiss the rod.

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Luc. Nothing concerning me.

Jul. Then let it lie for those that it concerns.

Luc. Madam, it will not lie where it concerns,

Unless it have a false interpreter.

Jul. Some love of yours hath writ to you in rhyme. Luc. That I might sing it, madam, to a tune,

Give me a note: your ladyship can set.

Jul. As little by such toys as may be possible.

Best sing it to the tune of "Light o' love."

Luc. It is too heavy for so light a tune.

Jul. Heavy? belike, it hath some burden then.
Luc. Ay; and melodious were it, would you sing it.
Jul. And why not you?
Luc.

I cannot reach so high.

Jul. Let's see your song. - [Snatching the letter.2] How now, minion!

Shall lodge thee, till thy wound be throughly heal'd;
And thus I search it with a sovereign kiss.
But twice, or thrice, was Proteus written down:
Be calm, good wind, blow not a word away,
Till I have found each letter in the letter,
Except mine own name; that some whirlwind bear
Unto a ragged, fearful, hanging rock,

And throw it thence into the raging sea.

Lo! here in one line is his name twice writ,-
"Poor forlorn Proteus; passionate Proteus
To the sweet Julia :"-that I'll tear away;
And yet I will not, sith so prettily

9

He couples it to his complaining name.
Thus will I fold them one upon another:
Now kiss, embrace, contend, do what you will.

Luc. Madam,

Re-enter LUCETTA.

Dinner is ready, and your father stays.

Jul. Well, let us go.

!

Luc. What! shall these papers lie like tell-tales here? Jul. If you respect them, best to take them up.

Luc. Nay, I was taken up for laying them down;

Yet here they shall not lie for catching cold.

Jul. I see, you have a month's mind1o unto11 them. Luc. Ay, madam, you may see what sights you

think; 12

I see things too, although you judge I wink.

Jul. Come, come; will 't please you go? [Exeunt. SCENE III. -The same. A Room in ANTONIO'S House.

Enter ANTONIO and PANTHINO.

Ant. Tell me, Panthino, what sad13 talk was that, Wherewith my brother held you in the cloister? Pant. 'T was of his nephew Proteus, your son. Ant. Why, what of him? Pant.

He wonder'd, that your lordship

Would suffer him to spend his youth at home,
While other men, of slender reputation,
Put forth their sons to seek preferment out:
Some to the wars, to try their fortune there;
Some, to discover islands far away;
Some, to the studious universities.

Luc. Keep tune there still, so you will sing it out: And yet, methinks, I do not like this tune.

Jul. You do not? Luc.

No, madam; it is too sharp.

Jul. You, minion, are too saucy. Luc.

For any, or for all these exercises,

Nay, now you are too flat, He said, that Proteus, your son, was meet,

And mar the concord with too harsh a descant :3 There wanteth but a meant to fill your song.

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And did request me to importune you
To let him spend his time no more at home,
Which would be great impeachment to his age,
In having known no travel in his youth.

Ant. Nor need'st thou much importune me to that
Whereon this month I have been hammering.
I have consider'd well his loss of time,
And how he cannot be a perfect man,
Not being tried and tutor'd in the world:
Experience is by industry achiev'd,
And perfected by the swift course of time.
Then, tell me, whither were I best to send him?
Pant. I think, your lordship is not ignorant
How his companion, youthful Valentine,

1 This direction is not in f. e. 2 Not in f. e. 3 What we now call in music, a variation. 4 A tenor. 5 An allusion to the game of base, or prison base, in which one runs and challenges his opponent to pursue. 6 The rest of this direction is not in f. e. 'best pleased: in f. e. 8 probe. 9 names: in f. e. 10 This proverbial expression is derived from the remembrance or commemoration of the dead by masses, for a stated period, -they were hence called month's memories. 11 to: in f. e. 12 may say what sights you see: in f. e. 13 grave: in f.e

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