Gon. Was Milan thrust from Milan, that his issue Should become kings of Naples? O! rejoice Beyond a common joy, and set it down With gold on lasting pillars. In one voyage Did Claribel her husband find at Tunis; And Ferdinand, her brother, found a wife, Where he himself was lost; Prospero his dukedom, In a poor isle; and all of us, ourselves, When no man was his own. Alon. Give me your hands: Alon. These are not natural events; they strengthen From strange to stranger.-Say, how came you hither? Boats. If I did think, sir, I were well awake, I'd strive to tell you. We were dead of sleep, And (how we know not) all clapp'd under hatches, Where, but even now, with strange and several noises Of roaring, shrieking, howling, jingling chains, And more diversity of sounds, all horrible, We were awak'd; straightway, at liberty: Where we, in all her trim, freshly beheld Our royal, good, and gallant ship; our master Capering to eye her: on a trice, so please you, Even in a dream, were we divided from them, And were brought moping hither. Ari. Was 't well done? Set Caliban and his companions free; Some few odd lads, that you remember not. Re-enter ARIEL, driving in CALIBAN, STEPHANO, and TRINCULO, in their stolen apparel. Ste. Every man shift for all the rest, and let no man take care for himself, for all is but fortune. Coragio! bully-monster, coragio! Trin. If these be true spies which I wear in my head, here's a goodly sight. Cal. O Setebos! these be brave spirits, indeed. How fine my master is! I am afraid He will chastise me. Ha, ha ! What things are these, my lord Antonio? Will money buy them? Very like: one of them Is a plain fish, and, no doubt, marketable. [TO FER. and MIR. His mother was a witch; and one so strong Let grief and sorrow still embrace his heart, That doth not wish you joy! 1 The entrance of the cell opens, and: in f. e. 2 without: in f. e. That could control the moon, make flows and ebbs, Alon. Is not this Stephano, my drunken butler ? Seb. He is drunk now: where had he wine? Alon. And Trinculo is reeling ripe: where should they Find this grand liquor that hath gilded 'em?How cam'st thou in this pickle ? Trin. I have been in such a pickle, since I saw you last, that, I fear me, will never out of my bones: I shall not fear fly-blowing. Seb. Why, how now, Stephano! Alon. Hence, and bestow your luggage where you found it. Seb. Or stole it, rather. [Ex. CAL., STE., and TRIN. To my poor cell, where you shall take your rest And the particular accidents gone by, Ste. O! touch me not: I am not Stephano, but a Since I came to this isle: and in the morn, cramp. Pro. You'd be king of the isle, sirrah? Ste. I should have been a sore one then. Alon. This is as strange a thing as e'er I look'd on. [Pointing to CALIBAN. Pro. He is as disproportion'd in his manners, As in his shape. -Go, sirrah, to my cell; Take with you your companions: as you look To have my pardon, trim it handsomely. Cal. Ay, that I will; and I'll be wise hereafter, And seek for grace. What a thrice-double ass Was I, to take this drunkard for a god, And worship this dull fool? Go to; away! I'll bring you to your ship, and so to Naples, I long EPILOGUE. SPOKEN BY PROSPERO. Now my charms are all o'erthrown, 1 f. e. Exeunt. Gentle breath of yours my sails [Exeunt Omnes. SCENE: sometimes in Verona; sometimes in Milan, and on the frontiers of Mantua. ACT I. SCENE I.--An open place in Verona. Enter VALENTINE and PROTEUS. Val. Cease to persuade, my loving Proteus: Home-keeping youth have ever homely wits. Wer 't not, affection chains thy tender days To the sweet glances of thy honour'd love, I rather would entreat thy company To see the wonders of the world abroad, Than, living dully sluggardiz'd at home, Wear out thy youth with shapeless idleness. But since thou lov'st, love still, and thrive therein, Even as I would, when I to love begin. Pro. Wilt thou begone? Sweet Valentine, adieu. Think on thy Proteus, when thou haply seest Some rare note-worthy object in thy travel: Wish me partaker in thy happiness, When thou dost meet good hap; and in thy danger, If ever danger do environ thee, Commend thy grievance to my holy prayers, Val. And on a love-book pray for my success. How young Leander cross'd the Hellespont. For he was more than over shoes in love. Val. 'T is true; but you are over boots in love, And yet you never swam the Hellespont. Pro. Over the boots? nay, give me not the boots. What? 4 Val. To be in love where scorn is bought with groans; Coy looks, with heart-sore sighs; one fading moment's mirth, With twenty watchful, weary, tedious nights: If haply won, perhaps, a hapless gain; If lost, why then a grievous labour won: However, but a folly bought with wit, Pro. So, by your circumstance you call me fool. Val. Love is your master, for he masters you; And he that is so yoked by a fool, Val. And writers say, as the most forward bud Once more adieu. My father at the road Pro. And thither will I bring thee, Valentine. Val. Sweet Proteus, no; now let us take our leave. To Milan let me hear from thee by letters, Pro. All happiness bechance to thee in Milan. Pro. He after honour hunts, I after love: He leaves his friends to dignify them more; Enter SPEED. Speed. Sir Proteus, save you. Saw you my master? 1 for: in f. e. 2 One who prays for another: the word is derived from the dropping of a bead in a rosary, at each prayer recited. 3 for: in f. e. 4 Supposed by Knight to refer to the instrument of torture, the boot, by which the sufferer's leg was crushed by wedges driven between it and the boot in which it was placed. Collier says it is a proverbial expression, signifying "don't make a laughing stock of me." Pro. But now he parted hence to embark for Milan. Give her no token but stones, for she's as hard as steel." Speed. Twenty to one, then, he is shipp'd already, And I have play'd the sheep in losing him. Pro. Indeed a sheep doth very often stray, An if the shepherd be awhile away. Pro. What! said she nothing? Speed. No, not so much as "Take this for thy pains." To testify your bounty, I thank you, you have testern'da me; in requital whereof, henceforth [Exit. Speed. You conclude, that my master is a shepherd, carry your letters yourself. And so, sir, I'll commend then, and I a sheep? Pro. I do. Speed. Why then, my horns are his horns, whether I wake or sleep. Pro. A silly answer, and fitting well a sheep. Pro. True, and thy master a shepherd. Speed. Nay, that I can deny by a circumstance. Pro. It shall go hard, but I'll prove it by another. Speed. The shepherd seeks the sheep, and not the sheep the shepherd; but I seek my master, and my master seeks not me: therefore, I am no sheep. Pro. The sheep for fodder follow the shepherd, the shepherd for food follows not the sheep; thou for wages followest thy master, thy master for wages follows not thee: therefore, thou art a sheep. Speed. Such another proof will make me cry "baa." Pro. But, dost thou hear? gav'st thou my letter to Julia? Speed. Ay, sir: I, a lost mutton, gave your letter to her, a laced mutton'; and she, a laced mutton, gave me, a lost mutton, nothing for my labour. Pro. Here's too small a pasture for such store of muttons. Speed. If the ground be overcharg'd, you were best stick her. Pro. Nay, in that you are a stray, 't were best pound you. Speed. Nay, sir, less than a pound shall serve me for carrying your letter. Pro. You mistake: I mean the pound, the pinfold. you to my master. 9 Pro. Go, go, be gone, to save your ship from wreck, SCENE II. - The Same. Julia's Garden. Jul. But say, Lucetta, now we are alone, Jul. Of all the fair resort of gentlemen, Luc. Please you, repeat their names, I'll show my According to my shallow simple skill. Jul. What think'st thou of the fair Sir Eglamour? But, were I you, he never should be mine. Jul. What think'st thou of the rich Mercutio ?11 Jul. Why not on Proteus, as of all the rest? Luc. I have no other but a woman's reason: [SPEED nods. I think him so, because I think him so. Pro. Nod, I? why that's noddy.2 ask me, if she did nod? and I say I. Pro. And that set together, is noddy. Speed. Now you have taken the pains to set it together, take it for your pains. Pro. No, no; you shall have it for bearing the letter. Speed. Marry, sir, the letter very orderly; having nothing but the word noddy for my pains. Pro. Beshrew me, but you have a quick wit. Speed. And yet it cannot overtake your slow purse. said she? Speed. Open your purse, that the money, and the matter, may be both at once deliver'd. Pro. Well, sir, here is for your pains. What said [Giving him money. she? 3 Speed. Truly, sir, I think you'll hardly win her. No, not so much as a ducat for delivering your letter; Jul. And wouldst thou have me cast my love on him? Peruse this paper, madam. Jul. Say, say, who gave it thee? Luc. Sir Valentine's page; and sent, I think, from He would have given it you, but I, being in the way, Jul. Now, by my modesty, a goodly broker! Luc. To plead for love deserves more fee than hate. 5 to her: 1 Most commentators make this mean, a dressed-up courtesan. Knight suggests that, (lace being used in its primitive meaning of any 2 The old name for the knave or fool of a pack of cards. 34 Not in f. e. thing that catches or secures) it means caught sheep. not in f. e. 6 telling your mind in f. e. 7 This speech is printed as prose in f. e. 8 A testern is a sixpence. 9 Not in f. e. 10 Exeunt: in f. e. 11 Mercatio: in f. e. 12 on lovely: in f. e. 13 14 Not in f. e. Since maids, in modesty, say "No," to that I throw thy name against the bruising stones, Which they would have the profferer construe, "Ay." Poor wounded name! my bosom, as a bed, Fie, fie! how wayward is this foolish love, That like a testy babe will scratch the nurse, And presently, all humbled, kiss the rod. Luc. Nothing concerning me. Jul. Then let it lie for those that it concerns. Luc. Madam, it will not lie where it concerns, Unless it have a false interpreter. Jul. Some love of yours hath writ to you in rhyme. Luc. That I might sing it, madam, to a tune, Give me a note: your ladyship can set. Jul. As little by such toys as may be possible. Best sing it to the tune of "Light o' love." Luc. It is too heavy for so light a tune. Jul. Heavy? belike, it hath some burden then. I cannot reach so high. Jul. Let's see your song. - [Snatching the letter.2] How now, minion! Shall lodge thee, till thy wound be throughly heal'd; And throw it thence into the raging sea. Lo! here in one line is his name twice writ,- 9 He couples it to his complaining name. Luc. Madam, Re-enter LUCETTA. Dinner is ready, and your father stays. Jul. Well, let us go. ! Luc. What! shall these papers lie like tell-tales here? Jul. If you respect them, best to take them up. Luc. Nay, I was taken up for laying them down; Yet here they shall not lie for catching cold. Jul. I see, you have a month's mind1o unto11 them. Luc. Ay, madam, you may see what sights you think; 12 I see things too, although you judge I wink. Jul. Come, come; will 't please you go? [Exeunt. SCENE III. -The same. A Room in ANTONIO'S House. Enter ANTONIO and PANTHINO. Ant. Tell me, Panthino, what sad13 talk was that, Wherewith my brother held you in the cloister? Pant. 'T was of his nephew Proteus, your son. Ant. Why, what of him? Pant. He wonder'd, that your lordship Would suffer him to spend his youth at home, Luc. Keep tune there still, so you will sing it out: And yet, methinks, I do not like this tune. Jul. You do not? Luc. No, madam; it is too sharp. Jul. You, minion, are too saucy. Luc. For any, or for all these exercises, Nay, now you are too flat, He said, that Proteus, your son, was meet, And mar the concord with too harsh a descant :3 There wanteth but a meant to fill your song. And did request me to importune you Ant. Nor need'st thou much importune me to that 1 This direction is not in f. e. 2 Not in f. e. 3 What we now call in music, a variation. 4 A tenor. 5 An allusion to the game of base, or prison base, in which one runs and challenges his opponent to pursue. 6 The rest of this direction is not in f. e. 'best pleased: in f. e. 8 probe. 9 names: in f. e. 10 This proverbial expression is derived from the remembrance or commemoration of the dead by masses, for a stated period, -they were hence called month's memories. 11 to: in f. e. 12 may say what sights you see: in f. e. 13 grave: in f.e |