Asian Music, Volume 29

accompaniment active appear Arabic arts Asian associated audience Bali Balinese become beginning caste Catholic Central century China Chinese Chinese Recorder Christian Church close composed context continued culture dance discussion drum early ensemble Ethnomusicology example expression fact female four gamelan Garhwal gender genres gong groups ḥadday hymnal hymns identity important Indian individual Indonesian influence involved issues Iwami kagura Japanese kagura shachû kebyar kodaiko language less male means melodies missionaries movements musicians Nani notation notes original particular patterns performance phrases pieces play players poetic political popular practice present Press provides published Recorder referred region represent ritual scholars sequences singing social society songs sound South Sulawesi specific stanza structure style sung Tibet Tibetan traditional translation Tsuda unit University various village wedding West Western women's beleganjur Yinyue