Ives StudiesPhilip Lambert The essays in Ives Studies are concerned with Charles Ives (1874SH1954), an American composer of symphonic, choral, and chamber music who was an early pioneer of twentieth-century musical modernism. Ten leading scholars address issues that have been at the forefront of a recent surge in Ives scholarship, including the hotly debated chronology of his work, the nature of his compositional philosophy and style, and his place in music history. |
Contents
the | 27 |
Editing Ivess 129 Songs 51 | 51 |
Redating Ivess choral sources 77 | 77 |
The idea of potentiality in the music of Charles Ives 105 | 105 |
Charles Ives and the politics of direct democracy 133 | 133 |
A | 163 |
The realization and first complete performances | 179 |
Ivess Universe 233 | 233 |
Ives today 263 | 263 |
Other editions - View all
Common terms and phrases
aesthetic American artistic autograph ink score Beethoven Charles Ives Charles Ives's choral complete composer composer's compositional concept Concord Sonata copies cosmic Cowell critical edition cycles Direct Democracy dissertation dissonant Earth chord Elliott Carter Emerson Overture essay European Example Fifth Symphony Fifth Symphony motive final Harmony Heavens orchestras Henry Cowell Henry David Thoreau Horatio Parker ideas Instrumentation Ives wrote Ives's music Ives's song Jan Swafford JKCat John Kirkpatrick Larry Austin Mahler major manuscript material Maynard Solomon measures melody Memos meters movement music of Charles notation notes percussion percussion orchestra performance Perlis Peter Burkholder Philip Lambert phrase piano piece Plate Prelude Psalm pulse quotation realization reference revised chronology rhythmic Richard Taruskin Schoenberg Scriabin second edition sketch pages sound sources stave structure Stuart Feder style suggest tempo theme Thoreau tion tonal tradition transcendental tune Universe Symphony voice writes Yale University Yale University Press York