Radical People's TheatreTraces the rise and decline of the alternative political theatre movement that developed following the pseudorevolutionary events of 1967 and 1968 and analyses the creative and political activities of representative radical theatre groups in the United States, France, Great Britain, West Germany, Italy and Spain. |
Contents
Radical Popular Theatre in Regional France | 64 |
Regional Theatre in Great Britain | 87 |
Emancipatory Drama for Children and Youth in West | 109 |
From Milan for the World | 124 |
Radical Popular Theatre in Francos Spain and After | 145 |
Conclusion | 173 |
SOME FACTS ABOUT THE TROUPES | 193 |
NOTES | 207 |
| 229 | |
Common terms and phrases
7:84 Theatre Company activities actors aesthetic agitprop Albert Boadella Alranq American Basque Berlin Bertozzo Bonafé bourgeois Bread and Puppet Brecht Brechtian capitalist Carriera Catalan characters Chicano comedy comic commedia dell'arte Comune contemporary created creation cultural Dario Fo Domestic Resurrection Drama Review el Teatro Campesino Els Joglars exploitation farmworkers Fo's fool Franca Rame France Francisco Mime Troupe Gramsci Grips Theater humor interview Jacques Kraemer John McGrath Kabarett late sixties Lorraine Luis Valdez militant Minette Mistero Buffo Nashörner schiessen Occitanian oppressed Original Paris performed Peter Schumann play's playwrights political theatre popular theatre groups present production proletarian Puppet Theater radical popular theatre radical theatre radical troupes regional San Francisco Mime satire scene social songs Spain Spanish spectators started structure struggle subsidies Tábano target audience Teatro Campesino Teledeum theatre artists theatrical Tordjman TPL's traditional translation Travail Théâtral Troupe's Volker Ludwig Wolfgang workers working-class