struction. I most truly lament the condition to which we are reduced,'-he had, therefore, no resentments but against the common enemy." The same feelings characterize these Memoirs. The Administration of Lord Chatham, then Mr. Pitt, was the only means left to save a ruined nation;' and the details which he has entered into,' are only to delineate with accuracy the causes of this nation's fall,' which, to the author's ill-boding judgment, appeared to be inevitable. And though he had intimacies to a degree of friendship with most of the distinguished politicians of his time, yet those intimacies were contracted on the public account, that when his principles were deserted by them, their society was abandoned by him. Of Kings, though necessary to the Constitution and form of Government Junius was attached to, in these Memoirs the Author is equally unsparing of his censure, and unmindful of the mode of inforcing his invective against them. 'George II. is a weak, narrow, sordid, and unfeeling master, only calculated by Nature for a Pawnbroker's shop;' and again, he should be made sensible, not only that he should not be master, but that he should know and feel that he ought not to be so.' The King of Prussia is a fiend: and of Princes in general, their actions are not to be judged of by the rules of morality, before whose tribunal they would be all condemned in their turns, and undergo the severest punishment, if executioners were not wanting to the laws of Nature and of Justice; and the folly and servility of mankind were not the safeguard of Kings. In these Memoirs the political feeling of the Author may be accurately traced in his estimation, and varying hopes and fears of the conduct of Lord Chatham. He admired his talents, and seemed perfectly well to understand' their force and influence; at times, strongly attached to his measures, but at other times, doubts of his sincerity, and censures what he considers a dereliction of principle; and for twelve years withdrew himself from his intimacy from political principles alone. In the Letters of Junius there is the same admiration of his powers, the same sentiment of disesteem, when he made his great abilities subservient to measures which be disapproved; and even his celebrated panegyrick is guarded by expressions which seem to glance at a comprehensive view of his whole character. In estimating the circumstances on which the true dignity of his character should depend, the tone of feeling, though differently expressed, is very similar in both these works. When Pitt was first appointed Secretary of State, from his having vacillated in his conduct, the Memoir says, All past offences were buried in oblivion.' The love of power and an ardent thirst of fame, were noble passions, honourable to him, and beneficial to his country, when their views were set in comparison with those which accompany the base attachment to money, the visible bane of our times.' Junius says, 'I confess he has grown upon my esteem. As for the common sordid views of avarice, or any purpose of vul gar ambition, I question whether the applause of Junius would be of service to Lord Chatham. But if his ambition be upon a level with his understanding; if he judges of what is truly honourable for himself, with the same superior genius which animates and directs him to eloquence in debate, to wisdom in decision, even the pen of Junius shall continue to reward him.'- Junius was an old reader of political controversies, and remembered the great Walpolean battles! The Author of these Memoirs was an antagonist of Walpole. And Pitt incurred discredit, in his estimation, for an indecent and needless encomium on Sir Robert Walpole,' against whom he had been one of the most violent, at the time that Minister was driven from the Administration. - Junius also declares himself to have dedicated his life to the information of his fellow-subjects. This Author took an active part in politics so early as the year 1739, and did not cease to direct his attention to that object during his whole life; and, whether his political opinions were well or ill-founded, he invariably adhered to them, believing them to be right. "The Editor of these Memoirs could increase this Pamphlet to twice its size, if he were to indulge in minute criticism or analysis. He himself believes that they were written by the same Author, known to the publick under the signature of JUNIUS; but if the sentiments and opinions they contain, and the style in which they are delivered, should not convey the same force of evidence to others as to himself, it would be useless to descend to minute particulars to strengthen and support them. Every fact that the Editor is acquainted with perfectly coincides with his hypothesis, except one, which is an assertion made by Junius, that he was not personally known to George Grenville. How far this might be correctly true, or how far it might be a justifiable ruse under the existing circumstances, must be left for the publick to determine." And here we also leave the question, 3. The Bride of Abydos, a Turkish Tale, by Lord Byron; 8vo. pp.72. Murray. THIS highly-wrought Tragic Tale, in its general complexion, has some resemblance to "The Giaour" but is a much more regular production. Every circumstance is unfolded with the Noble Baron's accustomed skill; and, as in the former Poem, whilst he harrows up the finer feelings of the soul, he delights by boldness of imagery and sublimity of description. The Personages of the Drama are, Giaffir, an old Pacha; Zuleika, his beautiful daughter; and Selim, the son of Abdallah (the brother of Giaffir, whom that ferocious Pacha had caused to be poisoned by a cup of coffee given to him when in the bath, and whose honours and fortune he had usurped). The life of the infant Selim had been spared; and, having been brought up as Giaffir's son, the tenderest fraternal affection subsisted between him and his supposed sister. The secret of his birth had been told to Selim by an old and faithful adherent of Abdallah; but to Zuleika it was not disclosed till the period when her father had destined her hand to Osman, kiusman of the Bey Oglou. Frantic at the idea of losing the treasure of his heart, Selim after twilight conducts her from the Haram to a solitary grotto near the sca-shore, But in a nook within the cell But were it not that high command I If sooth -its truth must others rue. My story now 'twere vain to hide, inust not see thee Osman's bride: But had not thine own lips declared Selim unfolds his whole history (which, on the first reading, we were disposed to think might be shortened with advantage); and informs Zuleika that a small band of pirates, with whom he had long been secretly connected, were in waiting; and entreats her to depart with him«With me this hour away-away— But yet,though thou art plighted mine, "Zuleika-mute and motionless, But ere her lip, or even her eye, * A Turkish sailor. And And, last of all, his sabre waving, One kiss, Zuleika,-'tis my last; But yet my band not far from shore May hear this signal- -see the flashYet now too few-the attempt were rash: No matter-yet one effort more.' Forth to the cavern mouth he stept, His pistol's echo rang on high: Zuleika started not, nor wept, Despair benumb'd her breast and eye! They hear me not, or if they ply Their oars, 'tis but to see me die; [nigh. That sound hath drawn my foes more Then forth my father's scimitar, Thou ne'er hast seen less equal war! Farewell, Zuleika! Sweet! retire Yet stay within - here linger safe, A gasping head, a quivering trunk; And almost met the meeting wave ;His boat appears-not five oars' length; His comrades strain with desperate strength Oh! are they yet in time to save? His feet the foremost breakers lave; His band are plunging in the bay, Their sabres glitter through the spray; Wet-wild-unwearied to the strand They struggle-now they touch the land! They come: 'tis but to add to slaughterHis heart's best blood is on the water! Escaped from shot unharm'd by steel, Or scarcely grazed its force to feelHad Selim won,-though thus beset, To where the strand and billows metThere as his last step left the land, And the last death-blow dealt his hand, Ah! wherefore did he turn to look For her his eye but sought in vain? That pause-that fatal gaze he tookHath doom'd his death, or fix'd his chain; Sad proof-in peril and in pain How late will Lover's hope remain!His back was to the dashing spray; Behind, but close, his comrades lay When at the instant hissed the ball, Whose bullet through the night-air sang? "That fearful moment when he left Thy heart grew chill; He was thy hope, thy joy, thy love, thine all[couldst not save, And that last thought on him thou Sufficed to kill— [stillBurst forth in one wild cry, and all was Peace to thy broken heart, and virgin grave!" "Within the place of thousand tombs That shine beneath, while dark above The sad but living cypress glooms, [leaf And withers not, though branch and Are stamp'd with an eternal grief; Like early unrequited Love! One spot exists-which ever blooms, Ev'n in that deadly grove. A single rose is shedding there Its lonely lustre, meek and pale, It looks as planted by Despair So white so faint-the slightest gale Might whirl the leaves on high; [assail, And yet, though storms and blight And hands more rude than wintry sky May wring it from the stem-in vain→→→ To-morrow sees it bloom again! The stalk some Spirit gently rears, And waters with celestial tears. For well may Maids of Helle deem That this can be no earthly flower, Which mocks the tempest's withering hour, And buds unshelter'd by a bower, Nor droops though Spring refuse her shower, Nor woos the summer-beam." The foregoing will afford a tolerable idea both of the story, and of the powerful interest, and the exquisite feeling, which the Author has every where infused into this poetical bijou, We cannot, however, refrain from making a few other extracts. What a variety of beautiful and appropriate imagery has the Author combined in the few introductory lines of the Poem! “ Know Are emblems of deeds that are done in Where the rage of the vulture, the love of the turtleNow melt into sorrow [to crime? now madden Know ye the land of the cedar and vine? Where theflowers ever blossom,thebeams ever shine, [with perfume, Where the light wings of Zephyr, opprest Wax faint o'er the gardens of Gúl* in her bloom; [fruit, Where the citron and olive are fairest of And the voice of the nightingale never is mute; [hues of the sky, Where the tints of the earth, and the In colour though varied, in beauty may vie, [dye; And the purple of ocean is deepest in Where the virgins are soft as the roses they twine, And all, save the spirit of Man, is divine: 'Tis the clime of the East -'tis the land of the Sun- [ren have done?f Can he smile on such deeds as his childOh! wild as the accents of lovers'farewell Are the hearts which they bear, and the tales which they tell.". The highly-finished picture of Zuleika (some affecting images in which strikingly exhibit his Lordship's peculiar turn of thought), and the Note accompanying it (the closing sentence of which is poetry itself of the highest order), must conclude this article. "Fair-as the first that fell of womankind, When on that dread yet lovely serpent smiling, [mindWhose image then was stamp'd upon her But once beguiled- and ever more beguiling; [vision Dazzling as that, oh! too transcendant To Sorrow's phantom-peopled slumber given, [Elysian, When heart meets heart again in dreams And paints the lost on Earth revived in Heaven; Soft-as the memory of buried love- Who hath not proved how feebly words [ray? To fix one spark of Beauty's heavenly Who doth not feel, until his failing sight Faints into dimness with its own delight, His changing cheek, his sinking heart confess Such was Zuleika, such around her shone The light of love-the purity of grace- Twelve pages of Notes are subjoined, which, as well as the Poem itself, afford a pleasing illustration of the character, manners, and habits of the modern Turks. 4. Moonlight, a Poem: with several Copies of Verses. By Edward Lord Thurlow. 4to. pp. 72. White, Coch rane, and Co. IT is a remarkable epoch in the Annals of a Review, that Two Noble Authors should appear before their Tribunal in the same Session of Criticism-Par NOBILE Fratrum. - So different, however, is the object of their pursuits, so varied their devotion to the Muse, that it would be uncan "Gúl,' the Rose." +"Souls made of fire, and children of the Sun, With whom revenge is virtue. Young's Revenge. "This expression has met with objections. I will not refer to Him who hath not Musiek in his soul,' but merely request the Reader to recollect, for ten seconds, the features of the woman whom he believes to be the most beautiful; and if he then does not comprehend fully what is feebly expressed in the above line, I shall be sorry for us both. For an eloquent passage in the latest work of the first female writer of this, perhaps of any age, on the analogy (and the immediate comparison excited by that analogy) between 'Painting and Musick,' see vol. III. cap. 10, De L'Allemagne. And is not this connexion still strenger with the original than the copy? with the colouring of Nature than of Art? After all, this is rather to be felt than described. Still I think there are some who will understand it at least they would have done, had they beheld the countenance whose speaking harmony suggested the idea; for this passage is not drawn from imagination, but memory, that mirror which Affliction dashes to the earth, and, looking down upon the fragents, only beholds the reflection multiplied!" did to contrast them, or to place them in competition. They have each their peculiar merit. The one, soaring like the bold eagle, dazzling like a splendid meteor; the other, like the elegant but plaintive Philomel, delights by the placid sweetness of Spenserian strains; and, not unfrequently, raising his melodious note, resembles the Lark who "at Heaven's gate sings." The Work is inscribed to Lord Eldon, the present Lord HighChancellor, in terms of such modest dignity as reflect equal honour both on the Writer and his Noble Friend; and with sentiments of the profoundest gratitude to that firm Pillar of the State, whose transcendant talents, and more particularly his manly firmness to his Sovereign, this Country can never forget. From this Dedication we shall present our Readers with a specimen of Lord Thurlow's Prose: "In this fair morning of the Liberty of Europe, after a long night of solicitude and counsel, in which your Lordship's wisdom has been eminently seen; I approach your Lordship with a Poem, which, it may be, shall beguile you of somne moments of severer thought. This tabour of two days, otherwise undeserving of your Lordship's favour, present Ꭸ to you on two accounts: first, because I conceive that it contains no thought unworthy of your Lordship's greatness, founded on virtue; and, secondly, because I have herein expressed my boundless debt of gratitude to him who preceded your Lordship in the Chair of Counsel and State; and who, as he was the ornament and founder of his family, so was he a fair and majestic Pillar of the Commonwealth. Between him and your Lordship there ever existed a wise and affectionate friendship: and I therefore commit to your favour my own humble tribute to his memory, and the Verses which I have preserved of his writing; wherein your Lordship's excellent taste and learning will discover, that no greater man had been in the translating of the elder Poets, if either his fortune or his pleasure had led him to that pursuit." We have repeatedly given specimens of Lord Thurlow's ingenuous Muse (see our last volume, pp. ii. 354, 365, 469, 579, 580, 589; and the present Number, p. 63). The principal Poem in the present Collection is intituled "Moonlight," aud, though a somewhat hasty production, it has many beautiful passages. It begins with the following Invocation; "Come then, diviner Muse, and dwell with me: [confin'd Since the great Princes of the world, Within the pomp and pageantry of state, Deny thy presence, to whose searching eye The world, and its ambition, is a dream, And all its glorious and loud-sounding pomp, [ear, But musick to a spectacle of woe. [me: Charmful to sense, well weighed in thy I offer thee my heart, and with it too Come then, diviner Muse, and dwell with Such entertainment as that heart can give, A fellowship of thought, a deep desire, E'en to the verge of madness, to pursue The track of meditation,whilst the Moon, Emerging from the lightly-flying clouds, Laughs in her pomp, and, with her palest light, Sits Arbitress in the mid plains of Heav'n: Come then, diviner Muse, and dwell with Blest harbingers of bliss, and beacons fair, That guide our wand'ring footsteps through a world Of error, that our falt'ring feet beguiles." Continuing to hold sweet converse with the Muse, he proceeds, "Awhile, O dear Companion of my steps, Awhile to this seclusion let us pass, [yew Where, underneath the laurel and the The owl loud hooting to the frosty air, Reposing in this shade our dewy feet, We may observe the Chariot of the Moon Wheel her pale course through the mid plains of Heaven. [wheels, Link we our souls unto her burning |