ANG. Proud am I that my lady's modest eye DOR I have offered Handfuls of gold but to behold thy parents. ANG. I am not; I did never Know who my mother was: but, by yon palace, Filled with bright heavenly courtiers, I dare assure you, My father is in heaven and, pretty mistress, No worse, than yet it doth, upon my life, You and I both shall meet my father there, DOR. A blessed day! Pride of Sir Giles Overreach in his Daughter--From the New Way to Pay Old Debts.' LOVEL.-OVERREACH. OVERREACH. To my wish: we are private. I come not to make offer with my daughter A certain portion that were poor and trivial: In lands or leases, ready coin or goods, With her, my lord, comes to you: nor shall you have I live too long, since every year I'll add Something unto the heap, which shall be yours too. OVER. You shall have reason To think me such. How do you like this seat? Lov. 'Tis a wholesome air, And well built pile; and she that's mistress of it, OVER She the mistress! It may be so for a time; but let my lord Say only that he but like it, and would have it; I say, ere long 'tis his. Lov. Impossible. OVER. You do conclude too fast; not knowing me, The Lady Allworth's lands, for those once Wellborn's (As by her dotage on him I know they will be) Lov. I dare not own What 's by unjust and cruel means extorted: The public voice. OVER. You run, my lord, no hazard: In all good men's opinions es now: Nor can my actions, though condemned for ill, For though I do contemu report myself As a mere sound, I still will be so tender Of what concerns you in all points of honour, Shall e'er be sullied with one taint or spot Right honourable; which my lord can make her: A young Lord Lovel, born by her unto you, The scourge of prod gals (want) shall never find you. And curses of whole familics, made wretched By your sinister practices? OVER. Yes, as rocks are When foamy billows split themselves against Their flinty ribs; or as the moon is moved When wolves, with hunger pined, howl at her brightness. I am of a solid temper, and, like there, Steer on a constant course: with mine own sword, If called into the field, I can make that right Which fearful enemies murmured at as wrong. Nay, when my ears are pierced with widows' cries. I only think what 'tis to have my daughter Right honourable; and 'tis a powerful charm, Makes me insensible of remorse or pity, Or the least sting of conscience. Lov. I admire The toughness of your nature. OVER. "Tis for you, My lord, and for my daughter, I am marble. Compassion for Misfortune-From the City Madam.' SIR JOHN FRUGAL.-LUKE FRUGAL.-LORD LACY. Pulled down upon you; but in this, dear sir, You have many equals: such a man's possessions His bags as full; a third in credit flies As high in the popular voice; but the distinction Of other's miseries-I have found it, sir; Heaven keep me thankful for 't !-while they are cursed SIR JOHN. I delight not To hear this spoke to my face. LUKE. That shall not grieve you. Your affability and mildness, clothed In the garments of your thankful debtors' breath, Can you think, sir, In your unquestioned wisdom, I beseech you, But you may urge-pray you, pardon me, my zeal You satisfy your anger and revenge For being defeated. Suppose this, it will not When the rebels unto reason, passions, fought it. LORD LACY. Our divines Cannot speak more effectually. Talked out of my money? LUKE. No, sir, but entreated To do yourself a benefit, and preserve SIR JOHN. How, my good brother? LUKE. By making these your beadsmen. When they eat, Their thanks, next heaven, will be paid to your mercy; When your ships are at sea, their prayers will swell The sails with prosperous winds, and guard them from LUKE. Write you a good man in the people's hearts, Follow you everywhere. SIR JOHN. If this could be LUKE. It must, or our devotions are but words. I see a gentle promise in your eye, Make it a blessed act, and poor me rich In being the instrument, SIR JOHN. You shall prevail; Give them longer day: but, do you hear? no talk of 't. I shall be laughed at for my foolish pity, Which money-men hate deadly. Unequal Love.-From the Great Duke of Florence.' GIOVANNI, nephew to the Grand-duke, taking leave of LIDIA, daughter of his Tutor. LIDIA. Must you go, then, So suddenly? GIOVANNI. There's no evasion, Lidia, To gain the least delay, though I would buy it At any rate. Greatness, with private men Esteemed a blessing, is to me a curse; And we, whom, for our high births, they conclude I might, like such of your condition, sweetest, That I must either keep my height with danger, LIDIA. Your own goodness Will be your faithful guard. Grov. O Lidia! For had I been your equal, As I have done, continued my delights With what melodious harmony a choir Of angels sing above their Maker's praises. And then, with chaste discourse, as we returned, CONTARINI. You forget The haste imposed upon us. GIOV. One word more, And then I come. And after this, when, with I had grown ripe for hymeneal joys, Embracing you, but with a lawful flame, And ever am, your servant; but it was, And 'tis far from me in a thought to cherish, Of all the globes and sceptres mankind bows to, I wish you, as a partner of your bed, That may make it the study of her life, With all the obedience of a wife, to please you; To be their humblest handmaid! GIOV. I am dumb, and can make no reply; May learn you what I should say. JOHN FORD. He Contemporary with Massinger, and possessing kindred tastes and powers, was JOHN FORD (1586-1639). This author wisely trusted to a regular profession, not to dramatic literature, for his support. was of a good Devonshire family, and bred to the law. His first efforts as a writer for the stage were made in unison with Webster and Dekker. He also joined with the latter, and with Rowley, in composing the Witch of Edmonton,' already mentioned, the last act of which seems to be Ford's. In 1628 appeared the 'Lover's Melancholy,' dedicated to his friends of the Society of Gray's Inn. In 1633 were printed his three tragedies, the 'Brother and Sister,' the 'Broken Heart,' and 'Love's Sacrifice.' He next wrote 'Perkin Warbeck,' a correct and spirited historical drama. Two other pieces, Fancies Chaste and Noble, and the Lady's Trial,' produced in 1638 and 1639, complete the list of Ford's works. He is supposed to have died shortly after the production of his last play. · A tone of pensive tenderness and pathos, with a peculiarly soft and musical style of blank verse, characterise this poet. The choice of his subjects was unhappy, for he has devoted to incestuous passion the noblest offerings of his muse. The scenes in his Brother and Sister,' descriptive of the criminal loves of Annabella and Giovanni, are painfully interesting and harrowing to the feelings, but contain his finest poetry and expression. The old dramatist loved to sport and dally with such forbidden themes, which tempted the imagination, and awoke those slumbering fires of pride, passion, and wickedness that lurk in the recesses of the human heart. They lived in an age of excitement-the newly awakened intellect warring with the senses the baser parts of humanity with its noblest qualities. In this struggle the dramatic poets were plunged, and they depicted forcibly what they saw and felt. Much as they wrote, their time was not spent in shady retirement; they flung themselves into the full tide of the passions, sounded its depths, wrestled with its difficulties and defile E. L. v. 1-13 |