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How they clang, and clash, and roar!
What a horror they outpour

On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,

And the clanging,

How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,

And the wrangling,

How the danger sinks and swells,

By the sinking or the swelling in the anger of the bells,―

Of the bells,

Of the bells, bells, bells, bells,
Bells, bells, bells,-

In the clamour and the clangour of the
bells!

Hear the tolling of the bells

Iron bells!

What a world of solemn thought their monody

compels !

In the silence of the night,
How we shiver with affright

At the melancholy menace of their tone!
For every sound that floats

From the rust within their throats
Is a groan.

And the people—ah, the people!—
They that dwell up in the steeple,
All alone,

And who tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone.

They are neither man nor woman,
They are neither brute nor human-
They are Ghouls;

And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls

A pæan from the bells!
And his merry bosom swells
With the pean of the bells!
And he dances, and he yells;

Keeping time, time, time,
In a sort of Runic rhyme,
To the pæan of the bells,
Of the bells:

Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells,
Of the bells, bells, bells,—
To the sobbing of the bells:
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells,
Of the bells, bells, bells,—

To the tolling of the bells,
Of the bells, bells, bells, bells,
Bells, bells, bells,—

To the moaning and the groaning of the bells.

EDGAR ALLAN POE.

LESSON 9..

THE VISION OF MIRZA.

affability, kindness of harpies, a species of eagles

manner

consummation, end, comple

tion cormorants, large sea-birds, noted for their voracity

dissipated, scattered

jollity, merriment

Oriental, belonging to the

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genius, an imaginary spirit

one's self

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When I was at Grand Cairo, I picked up several Oriental manuscripts, which I have still by me. Among others, I met with one entitled 'The Visions of Mirza,' which I have read over with great pleasure. I intend to give it to the public when I have no other entertainment for them; and shall begin with the first vision, which I have translated word for word as follows:

On the 5th day of the moon, which, according to the custom of my forefathers, I always keep holy, after having washed myself, and offered up my morning devotions, I ascended the high hills of Bagdat, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life; and passing from one thought to another, surely, said I, man is but a shadow, and life a dream. Whilst I was thus musing, I cast my eyes

towards the summit of a rock that was not far from -me, where I discovered one in the habit of a shepherd, with a little musical instrument in his hand. As I looked upon him, he applied it to his lips and began to play upon it. The sound of it was exceedingly sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. They put me in mind of those heavenly airs that are played to the departed souls of good men upon their first arrival in Paradise, to wear out the impressions of the last agonies, and qualify them for the pleasures of that happy place. My heart melted away in secret raptures.

I had been often told that the rock before me was the haunt of a genius, and that several had been entertained with music who had passed by it, but never heard that the musician had before made himself visible. When he had raised my thoughts by those transporting airs which he played to taste the pleasures of his conversation, as I looked upon him like one astonished, he beckoned to me, and by the waving of his hand directed me to approach the place where he sat. I drew near with that reverence which is due to a superior nature; and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept. The genius smiled upon me with a look of compassion and affability that familiarized him to my imagination, and at once dispelled all the fears and apprehensions with which I approached him. He lifted me from the ground, and taking me by the hand, Mirza,' said he, 'I have heard thee in thy soliloquies; follow me.'

He then led me to the highest pinnacle of the rock, and placing me on the top of it, 'Cast thine

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eyes eastward,' said he, 'and tell me what thou seest.' 'I see,' said I, 'a huge valley, and a prodigious tide of water rolling through it. The valley that thou seest,' said he, 'is the Vale of Misery, and the tide of water that thou seest is part of the great tide of eternity.' What is the reason,' said I, 'that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other?' "What thou seest," said he, 'is that portion of eternity which is called time, measured out by the sun, and reaching from the beginning of the world to its consummation. Examine now,' said he, 'this sea that is bounded with darkness at both ends, and tell me what thou discoverest in it.' 'I see a bridge,' said I, 'standing in the midst of the tide.' 'The bridge thou seest,' said he, 'is human life; consider it attentively.' Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which added to those that were entire made up the number about a hundred. As I was counting the arches, the genius told me that this bridge consisted at first of a thousand arches; but that a great flood swept away the rest, and left the bridge in the ruinous condition I now beheld it. "But tell me further,' said he, 'what thou discoverest on it.' 'I see multitudes of people passing over it,' said I, ' and a black cloud hanging on each end of it.As I looked more attentively, I saw several of the passengers dropping through the bridge into the great tide that flowed underneath it; and upon further examination, perceived that there were innumerable trap-doors that lay concealed in the bridge, which the passengers no sooner trod upon but they fell through them into the tide, and immediately

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