THE HOMES OF ENGLAND. THE stately homes of England! How beautiful they stand, Amidst their tall ancestral trees, O'er all the pleasant land! The deer across their green sward bound Through shade and sunny gleam, And the swan glides past them with the sound. Of some rejoicing stream. The merry homes of England! Around their hearths by night What gladsome looks of household love Meet in the ruddy light! There woman's voice flows forth in song, Or childhood's tale is told, Or lips move tunefully along Some glorious page of old. The blessed homes of England! Is laid the holy quietness That breathes from Sabbath hours! Solemn yet sweet the church-bell's chime Floats through their woods at morn; All other sounds in that still time Of breeze and leaf are born. The cottage homes of England! By thousands on her plains They are smiling o'er the silvery brooks And round the hamlet fanes. Through glowing orchards forth they peep, Each from its nook of leaves, And fearless there the lowly sleep, As the birds beneath their eaves. The free, fair homes of England! Long, long, in hut and hall, May hearts of native proof be reared IN FELICIA HEMANS. CHARLOTTE CORDAY. year; 66 N the lobby of the Mansion de l'Intendance, where busy Deputies are coming and going, a young Lady with an aged valet, is taking grave graceful leave of Deputy Barbaroux. She is of stately Norman figure; in her twenty-fifth of beautiful still countenance; her name is Charlotte Corday, heretofore styled D'Armans, while Nobility still was. Barbaroux has given her a note to Deputy Duperret,-him who once drew his sword in the effervescence. Apparently she will to Paris on some errand? She was a Republican before the Revolution, and never wanted energy." A completeness, a decision is in this fair female figure: "by energy she means the spirit that will prompt one to sacrifice himself for his country." What if she, this fair young Charlotte, had emerged from her secluded stillness, suddenly like a star; cruel-lovely, with half-angelic, half-demonic splendor; to gleam for a moment and in a moment be extinguished: to be held in memory, so bright complete was she, through long centuries-Quitting Cimmerian Coalitions without, and the dim-simmering Twenty-five millions within, History will look fixedly at this one fair Apparition of a Charlotte Corday; will note whither Charlotte moves, how the little Life burns forth so radiant, then vanishes swallowed of the Victoires, takes a hackney-coach: "To the Night. With Barbaroux's Note of Introduction, and slight stock of luggage, we see Charlotte on Tuesday the ninth of July, seated in the Caen Diligence, with a place for Paris. None takes farewell of her, wishes her Good-journey: her Father will find a line left, signifying that she is gone to England, that he must pardon her, and forget her. The drowsy Diligence lumbers along; amid drowsy talk of Politics, and praise of the Mountain; in which she mingles not: all night, all day, and again all night. On Thursday, not long before noon, we are at the bridge of Neuilly; here is Paris with her thousand black domes, the goal and purpose of thy journey! Arrived at the Inn de la Providence in the Rue des Vieux Augustins, Charlotte demands a room; hastens to bed; sleeps all afternoon and night, till the morrow morning. On the morrow morning, she delivers her Note to Duperret. It relates to certain Family Papers which are in the Minister of the Interior's hand; which a Nun at Caen, an old Convent friend of Charlotte's, has need of; which Duperret shall assist her in getting; this then was Charlotte's errand to Paris? She has finished this, in the course of Friday;-yet says nothing of returning. She has seen and silently investigated several things. The Convention, in bodily reality, she has seen; what the Mountain is like. The living physiognomy of Marat she could not see; he is sick at present, and confined to home. About eight on the Saturday morning, she purchases a large sheath-knife in the Palais Royal; then straightway, in the Place des Rue de l'École dé Medecine, No. 44." It is the residence of the Citoyen Marat!-The Citoyen Marat is ill, and cannot be seen; which seems to disappoint her much. Her business is with Marat, then? Hapless beautiful Charlotte; hapless squalid Marat! From Caen in the utmost West, from Neuchâtel in the utmost East, they two are drawing nigh each other; they two have, very strangely, business together.-Charlotte, returning to her Inn, despatches a short note to Marat; signifying that she is from Caen, the seat of rebellion; that she desires earnestly to see him, and "will put it in his power to do France a great service." No answer. Charlotte writes another note, still more pressing; sets out with it by coach, about seven in the evening, herself. Tired day-laborers have again finished their Week; huge Paris is circling and simmering, manifold, according to its vague wont: this one fair Figure has decision in it; drives straight,-toward a purpose. It is yellow July evening, we say, the thirteenth of the month; eve of the Bastille day, when "M. Marat," four years ago, in the crowd of the Pont Neuf, shrewdly required of that Besenval Hussar-party, which had such friendly dispositions, “to dismount, and give up their arms, then;" and became notable among Patriot men. Four years what a road he has travelled;-and sits now, about half-past seven of the clock, stewing in slipper bath; sore afflicted; ill of Revolution Fever, of what other malady this History had rather not name. Excessively sick and worn, poor man with precisely elevenpence halfpenny of ready money, in paper; with slipper bath; strong three-footed stool for writing on, the while; and a squalid-Wash- | and Jacobin Societies, in lamentable oratory, erwoman, one may call her: that is his civic establishment in Medical-School Street; thither and not elsewhither has his road led him. Not to the reign of Brotherhood and Perfect Felicity; yet surely on the way toward that? -Hark, a rap again! A musical woman's voice, refusing to be rejected: it is the Citoyenne who would do France a service. Marat, recognizing from within, cries, Admit her. Charlotte Corday is admitted. Citoyen Marat, I am from Caen, the seat of rebellion, and wished to speak with you. -Be seated, mon enfant. Now what are the Traitors doing at Caen? What Deputies are at Caen?—Charlotte names some Deputies. "Their heads shall fall within a fortnight," croaks the eager People's-friend, clutching his tablets to write: Barbaroux, Petion, writes he with bare shrunk arm, turning aside in the bath: Petion, and Louvet, and Charlotte has drawn her knife from the sheath; plunges it, with one sure stroke, into the writer's heart. "À moi, chere amie, help summing up his character, parallel him to One, whom they think it honor to call "the good Sansculotte," whom we name not here; also a chapel may be made, for the urn that holds his heart, in the Place du Carrousel ; and new-born children be named Marat; and Lago-di-Como Hawkers bake mountains of stucco into unbeautiful Busts; and David paint his picture, or Death-Scene; and such other Apotheosis take place as the human genius, in these circumstances, can devise; but Marat returns no more to the light of this Sun. One sole circumstance we have read with clear sympathy, in the old Moniteur Newspaper: how Marat's brother comes from Neuchâtel to ask of the Convention, "that the deceased Jean-Paul Marat's musket be given him." For Marat too had a brother, and natural affections; and was wrapt once in swaddling-clothes, and slept safe in a cradle like the rest of us. Ye children of men!-A sister of his, they say, lives still to this day in Paris. As for Charlotte Corday, her work is accomplished; the recompense of it is near and sure. The chere amie, and neighbors of the house, flying at her, she "overturns some movables," entrenches herself till the gendarmes arrive; then quietly surrenders; goes quietly to the Abbaye Prison: she alone quiet, all Paris sounding, in wonder, in rage or admiration, round her. Duperret is put in arrest on account of her; his papers sealed,—which may lead to consequences. Fauchet, in like manner; though Fauchet had not so much as heard of her. Charlotte, confronted with these two Deputies, praises the grave firmness of Duperret, censures the dejection of Fauchet. On Wednesday morning, the thronged Palais de Justice and Revolutionary Tribunal | it were beautiful to die with her: the head can see her face: beautiful and calm: she dates it "fourth day of the Preparation of Peace. A strange murmur ran through the Hall, at sight of her; you could not say of what character. Tinville has his indictments and tape-papers: the cutler of the Palais Royal will testify that he sold her the sheath-knife; "all these details are needless," interrupted Charlotte; "it is I that killed Marat." By whose instigation? By no one's." What tempted you, then? "His crimes. I killed one man," added she, raising her voice extremely (extrément), (extrément), as they went on with their questions-"I killed one man to save a hundred thousand; a villain to save innocents; a savage wild beast to give repose to my country. I was a Republican before the Revolution; I never wanted energy.' There is therefore nothing to be said. The public gazes astonished: the hasty limners sketch her features, Charlotte not disapproving; the men of law proceed with their formalities. The doom is Death as a murderess. To her Advocate she gives thanks; in gentle phrase, in high-flown classical spirit. To the Priest they send her she gives thanks; but needs not any shriving, any ghostly or other aid from him. On this same evening, therefore, about half-past seven o'clock, from the gate of the Conciergerie, to a city all on tiptoe, the fatal Cart issues seated on it a fair young creature, sheeted in red smock of Murderess; so beautiful, serene, so full of life; journeying toward death,—alone amid the World. Many take off their hats, saluting reverently; for what heart but must be touched? Others growl and howl. Adam Lux, of Mentz, declares that she is greater than Brutus; that of this young man seems turned. At the Place de la Révolution, the countenance of Charlotte wears the same still smile. The executioners proceed to bind her feet; she resists, thinking it meant as an insult; on a word of explanation, she submits with cheerful apology. As the last act, all being now ready, they take the neckerchief from her neck: a blush of maidenly shame overspreads that fair face and neck; the cheeks were still tinged with it when the executioner lifted the severed head to show it to the people. "It is most true," says Forster, "that he struck the cheek insultingly; for I saw it with my eyes: the Police imprisoned him for it." In this manner have the beautifullest and the squalidest come in collision, and extinguished one another. Jean-Paul Marat and Marie-Anne Charlotte Corday both, suddenly, are no more. "Day of the Preparation of Peace"? Alas, how were peace possible or preparable, while, for example, the hearts of lovely maidens, in their convent-stillness, are dreaming not of love-paradises, and the light of Life; but of Codrus'sacrifices, and death well earned? That twenty-five million hearts have got to such temper, this is the Anarchy; the soul of it lies in this: whereof not peace can be the embodiment ! The death of Marat, whetting old animosities tenfold, will be worse than any life. O ye hapless two, mutually extinctive, the Beautiful and the Squalid, sleep ye well,-in the Mother's bosom that bore you both! This was the History of Charlotte Corday; most definite, most complete; angelic-demonic: like a Star! Adam Lux goes home, half delirious; to pour forth his Apotheosis of her, |