Indian Painting

actual Ajanta ancient appear applied artists aspect associated become brush Buddhist Cave century character characteristic collection colour common composition connection considerable court decorated depicted drawing dynasty early East effect Emperor employed evidence examples executed existence expression fact feeling figures flowers followers frescoes hand Hindu illustrating important India Indian painting indicate individual influence interest kalm Kangra kalm king knowledge known largely later light lived mainly means method miniatures movement Mughal Mughal school nature observable original outline painter painting in India period Persian pigment portion portrait portraiture possible practical prepared present probably produced Rajput records referred regarded relates religion religious remains represent result royal rule scenes scheme school of painting seen shows similar style surface tion traces tradition treatment true wall whole