Gurudev's Drumming Legacy: Music, Theory, and Nationalism in the Mr̥daṅg Aur Tabla Vādanpaddhati of Gurudev PatwardhanGurudev's work offers us a window onto the musical past, and we would do well to investigate the clues it presents to a theory and practice that has since changed in many significant ways. |
Contents
Gurudev Paluskar and the History and Context of | 13 |
Vinayakrao and the MrdangTablā Vādanpaddhati | 37 |
The Structure Contents and Language of the Editions | 45 |
Notation | 51 |
Hindustani Rhythmic Theory | 75 |
Gurudevs Rhythmic Theory | 99 |
Vinayakraos Rhythmic Theory | 113 |
The Repertoire | 131 |
Conclusion | 179 |
Translation of the Mrdang aur Tablā Vādanpaddhati 1903 | 185 |
Translation of New Material from the MrdangTablā | 279 |
Translation of the Preface to Sangit Bālbodh | 313 |
| 323 | |
| 331 | |
Other editions - View all
Common terms and phrases
16 mātrās Badlā Bakhle bols cārtāl clapping closed stroke cycle dādrā Delhi Deodhar dhā dhā dhā dhin dhā gī dhā tīrī kīṭa dhi na dhi na ghi dhin dhā dhin dhin dhīrī dhiri kita dhrupad drum drut lay duration ektāl gadi gadī gana Gandharva Gandharva Mahavidyalaya Gatparan ghĩ Gurudev Gurudevji Hindu Hindustani music index finger jāti kaḍa kata khālī Khan kīḍa kīta kīṭa dhā kita taka laghu Lahore madhya lay mātrās Maula Bakhsh's metric Miraj Mohrā mrdang MTVP musicians na dhā naka notation system pakhāvaj Pandit patterns Patwardhan phrase played Relā repertoire rhythm right hand rūpak Sangit Sanskrit Sath structure syllables symbol tabla tāl tāla tālī tempo thekā thumri tī nā tī rī tihāi tīn tīntāl tīrī ghīḍa naga tīrī kīṭa Vādanpaddhati vilambit vilambit lay Vinayakrao Vishnu Digambar Vishnu Digambar Paluskar ས ས ས ས ོ ས