Elementary lessons on sound |
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Page 30
... minor third . By the kindness of Sir F. G. Ouseley and Dr. Stainer , the writer is enabled to reproduce , in musical notation , the compound notes of several well- known bells . When played on the pianoforte the dampers should be raised ...
... minor third . By the kindness of Sir F. G. Ouseley and Dr. Stainer , the writer is enabled to reproduce , in musical notation , the compound notes of several well- known bells . When played on the pianoforte the dampers should be raised ...
Page 76
... Minor Sixth , Minor Third , Major Sixth , Major Third , Minor Seventh , Major Seventh , and at last with great difficulty , the Major Second . Upon this he makes the sug- gestive remark that if there be a natural scale for the ear ...
... Minor Sixth , Minor Third , Major Sixth , Major Third , Minor Seventh , Major Seventh , and at last with great difficulty , the Major Second . Upon this he makes the sug- gestive remark that if there be a natural scale for the ear ...
Page 94
... minor . While the flame burns steadily , there is thus formed a continuous band of light . But if the capsule is connected with a tube sound- ing its foundation notes the flame takes the form shown in the first figure ( Fig . 47 ) . If ...
... minor . While the flame burns steadily , there is thus formed a continuous band of light . But if the capsule is connected with a tube sound- ing its foundation notes the flame takes the form shown in the first figure ( Fig . 47 ) . If ...
Page 124
William Henry Stone. Difference Tones . Major Minor Major Minor Fifth Fourth Third Third Sixth Sixth The summational tones are usually weaker than the diffe- rential . By their definition , they are always sharper than those producing ...
William Henry Stone. Difference Tones . Major Minor Major Minor Fifth Fourth Third Third Sixth Sixth The summational tones are usually weaker than the diffe- rential . By their definition , they are always sharper than those producing ...
Page 125
... Minor 3rd When the differences are small , the beats are slow and easy to count . But as these become more numerous , their real character is concealed , and they give a rough quality to the whole mass of sound , which would not be ...
... Minor 3rd When the differences are small , the beats are slow and easy to count . But as these become more numerous , their real character is concealed , and they give a rough quality to the whole mass of sound , which would not be ...
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Common terms and phrases
bassoon beats bell Cambridge cartilages cavity chords clarinet comma consonant Crown 8vo density Edition elastic ELEMENTARY TREATISE English enharmonic equal temperament Eton College excited Extra fcap fifth flame flute fork fundamental note give harmonic harmonium heard heat Helmholtz HISTORY human voice instrument intervals J. P. MAHAFFY John's College keyboard keys late Fellow LATIN length longitudinal Lord Rayleigh lower major third Mathematical membrane metal method metres minor Minor Sixth minor third monochord motion musical tones named nodes number of vibrations numerous Illustrations oboe octave ordinary organ Owens College Oxford perfect perfect fifths pipe pitch plate prime tone produced Professor ratio reed resonance rotating scale schismas School semitone sharpened siren sixth sonorous source of sound stopped string temperament temperature termed tonometer tube tuned tuning-fork unison upper partial tones velocity of sound vibration number violin wave wave-length
Popular passages
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