Collected Prose

Front Cover
University of Michigan Press, 1984 - Poetry - 203 pages
The author is generally recognized for his contributions to African American poetry, however, a large part of his poetry and prose is on other than African American themes. He achieves universality through his commitment, exploration, and dedication to his African American background, while emphasizing the importance in the commitment to the "belief in the fundamental oneness of all races, the essential oneness of mankind, to the vision of world unity". This is apparent in his poems as well as in the prose covered in this collection.

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Selected pages

Contents

Reflections on Poetry and the Role of the Poet
5
Some Remembrances
19
A Baroque Play in One Act
30
Counterpoise
43
TwentiethCentury American Poetry
45
Poems by American Negro Poets
57
Preface to The New Negro
62
Foreword to A Portfolio of Recent American Poetry
68
Portfolio II
70
The Child and the Legend
73
A Conversation During the Bicentennial
81
A Certain Vision
92
A Romantic Realist
117
A Conversation
131
Copyright

Other editions - View all

Common terms and phrases

About the author (1984)

Hayden's poetry is informed by, indeed haunted by, the history of the African American experience. Thus, Hayden saw history "as a long, tortuous, and often bloody process of becoming, of psychic evolution." Hayden's immersion in history began in the 1930s, when he researched African American history for the Federal Writers' Project in his native Detroit. Some of his best poems are about such black historical figures as Nat Turner, Frederick Douglass, Malcolm X, and Harriet Tubman, and he is noted for his ability to combine the historical with the personal. Another source for Hayden's poetry was his adherence to the Baha'i faith, an Eastern religion that sees human history as evolving toward a coming world civilization. Such a universal outlook was behind Hayden's desire to be judged as "a poet among poets," not as an African American poet. This position was criticized sharply by other African Americans during the 1960s, and it cost Hayden some of his popularity. Yet from the 1960s through the 1970s, his star rose steadily until, in 1976, he was appointed Consultant in Poetry to the Library of Congress.

Bibliographic information