Sangeet Natak, Issues 35-38

according appear artists aspects audience beat become belong brother called century character characteristics classical completely composed compositions concept considered created culture dance Delhi derived described direction drum drummers effect emotional evolution evolved example existing experience expression fact feel gharana Ghazal give given gramaragas Hanuman historical human idea important Indian music individual influence interesting intervals janya raga Jataka Khan King known later learned means mela melakarta melodic mentioned mind movement musicians nature notes orchestral performed period Persian person play poet poetry possible present principles puppets raga record repeated result rituals Sangeet Natak scale selection similar singing social songs species stage style subjects suggested Temple theatre theory thought tion Tooth-relic tradition University variation various verses