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Tempers so trim, that it may well be seen
A palace fit for such a virgin queen.

So every spirit, as it is most pure,

And hath in it the more of heavenly light,
So it the fairer body doth procure
To habit in, and it more fairly dight
With cheerful grace and amiable sight;
For of the soul the body form doth take;
For soul is form, and doth the body make.
Therefore wherever that thou dost behold
A comely corpse1, with beauty fair endued,
Know this for certain, that the same doth hold
A beauteous soul, with fair conditions thewed2,
Fit to receive the seed of virtue strewed;
For all that fair is, is by nature good;
That is a sign to know the gentle blood.

Yet oft it falls that many a gentle mind
Dwells in deformed tabernacle drowned,
Either by chance, against the course of kind3,
Or through unaptness in the substance found,
Which it assumed of some stubborn ground,
That will not yield unto her form's direction,
But is deformed with some foul imperfection.

And oft it falls, (ay me, the more to rue!)
That goodly beauty, albe heavenly born,
Is foul abused, and that celestial hue,
Which doth the world with her delight adorn,
Made but the bait of sin, and sinners' scorn,
Whilst every one doth seek and sue to have it,
But every one doth seek but to deprave it.

Yet nathemore is that fair beauty's blame,
But theirs that do abuse it unto ill:

1 frame.

2 endowed with fair qualities.

3

nature.

Nothing so good, but that through guilty shame
May be corrupt, and wrested unto will:

Natheless the soul is fair and beauteous still,
However flesh's fault it filthy make;

For things immortal no corruption take.

But ye, fair Dames! the world's dear ornaments
And lively images of heaven's light,

Let not your beams with such disparagements
Be dimmed, and your bright glory darkened quite;
But, mindful still of your first country's sight,
Do still preserve your first informed grace,
Whose shadow yet shines in your beauteous face.

For Love is a celestial harmony

Of likely hearts composed of stars' consent,
Which join together in sweet sympathy,

To work each other's joy and true content,

Which they have harboured since their first descent
Out of their heavenly bowers, where they did see
And know each other here beloved to be.

Then wrong it were that any other twain
Should in Love's gentle band combined be
But those whom heaven did at first ordain,
And made out of one mould the more t' agree;
For all that like the beauty which they see,
Straight do not love; for Love is not so light
As straight to burn at first beholder's sight.

But they, which love indeed, look otherwise,
With pure regard and spotless true intent,
Drawing out of the object of their eyes
A more refined form, which they present
Unto their mind, void of all blemishment;
Which it reducing to her first perfection,
Beholdeth free from flesh's frail infection.

FROM AN HYMN OF HEAVENLY BEAUTY.

THE means, therefore, which unto us is lent
Him to behold, is on his works to look,
Which he hath made in beauty excellent,
And in the same, as in a brazen book,
To read enregistered in every nook
His goodness which his beauty doth declare;
For all that's good is beautiful and fair.

Thence gathering plumes of perfect speculation,
To imp1 the wings of thy high-flying mind,
Mount up aloft through heavenly contemplation,
From this dark world, whose damps the soul do blind,
And, like the native brood of eagle's kind,

On that bright Sun of Glory fix thine eyes,
Cleared from gross mists of frail infirmities.
Humbled with fear and awful reverence,
Before the footstool of his Majesty
Throw thyself down, with trembling innocence,
Ne dare look up with corruptible eye
On the dread face of that great Deity,

For fear, lest if he chance to look on thee,
Thou turn to nought, and quite confounded be.
But lowly fall before his mercy-seat,

Close covered with the Lamb's integrity
From the just wrath of his avengeful threat
That sits upon the righteous throne on high;
His throne is built upon Eternity,

More firm and durable than steel or brass,

Or the hard diamond, which them both doth pass.

His sceptre is the rod of Righteousness,

With which he bruiseth all his foes to dust And the great Dragon strongly doth repress, 1 To enlarge by engrafting.

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Under the rigour of his judgment just;

His seat is Truth, to which the faithful trust,

From whence proceed her beams so pure and bright That all about him sheddeth glorious light.

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Ah, then, my hungry soul! which long hast fed

On idle fancies of thy foolish thought,

And, with false beauty's flattering bait misled,
Hast after vain deceitful shadows sought,

Which all are fled, and now have left thee nought
But late repentance through thy follies' prief1;
Ah! cease to gaze on matter of thy grief:

And look at last up to that Sovereign Light,
From whose pure beams all perfect beauty springs,
That kindleth love in every godly spright
Even the love of God; which loathing brings
Of this vile world and these gay-seeming things;
With whose sweet pleasures being so possessed,
Thy straying thoughts henceforth forever rest.

SIR WALTER RALEIGH (?).

(1552-1618.)

Most of the poems which pass under the name of Raleigh, like Pilgrim to Pilgrim, are of quite uncertain ascription. His career as author began about 1576. Even Such is Time is said by Oldys to have been written by Raleigh on the eve of his execution. His poems are included in the volume of Courtly Poets, edited by Rev. J. Hannah (Aldine Poets, 1870).

S

PILGRIM TO PILGRIM.

As you came from the holy land

Of Walsinghame,

Met you not with my true love

By the way as you came?

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How should I know your true love,

That have met many one,

As I came from the holy land,
That have come, that have gone?

She is neither white nor brown,

But as the heavens fair;

There is none hath a form so divine

On the earth or the air.

Such a one did I meet, good sir,

Such an angelic face,

Who like a queen, like a nymph, did appear,

By her gait, by her grace.

She hath left me here all alone,

All alone, as unknown,

Who sometimes did me lead with herself,

And me loved as her own.

What's the cause that she leaves you alone,

And a new way doth take,

Who loved you once as her own,
And her joy did you make?

I have loved her all my youth,
But now old, as you see:
Love likes not the falling fruit
From the withered tree.

Know that Love is a careless child,
And forgets promise past;

He is blind, he is deaf when he list,
And in faith never fast.

His desire is a dureless content,

And a trustless joy;

He is won with a world of despair,
And is lost with a toy.

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