English Lyric Poetry, 1500-1700Frederic Ives Carpenter |
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Page xxxi
... turn , and are visibly subduing the serious northern mind . to the spirit of romantic love ! The lyric manner ... turning on the hopeless aspiration of the lover for a lady whose qualities set her far above possibility of attainment ...
... turn , and are visibly subduing the serious northern mind . to the spirit of romantic love ! The lyric manner ... turning on the hopeless aspiration of the lover for a lady whose qualities set her far above possibility of attainment ...
Page xlvi
... turn give place to others of deeper and more sombre meaning . But in the earlier Elizabethan poetry at least we discover proof that the English sense of pure beauty has found expression in lyric poetry more perfectly than in any other ...
... turn give place to others of deeper and more sombre meaning . But in the earlier Elizabethan poetry at least we discover proof that the English sense of pure beauty has found expression in lyric poetry more perfectly than in any other ...
Page xlix
... turns ardent devotee and sings a palinode to poetry and the other kickshaws of youth in a Farewell to the World , in which he voices the growing discontent of the times with the overstrained hurly - burly of life , and its yearning for ...
... turns ardent devotee and sings a palinode to poetry and the other kickshaws of youth in a Farewell to the World , in which he voices the growing discontent of the times with the overstrained hurly - burly of life , and its yearning for ...
Page liii
... turning of the century . Campion is a lyric poet of a rare sort . There is a sweet perfection in his phrase and feeling at his best , which reminds us of the best of his Scotch contemporary Drummond . His unambitious lyric is simple ...
... turning of the century . Campion is a lyric poet of a rare sort . There is a sweet perfection in his phrase and feeling at his best , which reminds us of the best of his Scotch contemporary Drummond . His unambitious lyric is simple ...
Page liv
... turn of lyric rhythm and phrase never afterwards recaptured . L'Allegro and Il Penseroso are the objective and idyllic presentations of the two fundamental sub- jective states of the human soul . In these poems all the rhythmical ...
... turn of lyric rhythm and phrase never afterwards recaptured . L'Allegro and Il Penseroso are the objective and idyllic presentations of the two fundamental sub- jective states of the human soul . In these poems all the rhythmical ...
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Other editions - View all
Common terms and phrases
A. B. Grosart beauty beauty's Ben Jonson birds blessed bliss Book of Airs bower breath bright bring the day Campion Castara Chorus clouds cuckoo dance dear death delight divine Donne dost doth E. K. Chambers earth echo ring edited Elizabethan England's Helicon EPITHALAMIUM eyes fair fairy fear flowers golden grace green Grosart grove H. F. Lyte happy Hark hath hear heart heaven heavenly honour Hymen HYMN king kiss Laius leave light live look Lord Love's lovers Lullaby lyric lyric poetry Madrigals Masque merrily merry mind ne'er never night nightingale nymphs o'er pleasure Poems poetic poetry Poets praise queen reprinted roses shepherd shine sigh sing sleep smile song SONNET sorrow soul spring stars Sweet Phosphor Sweet Spirit sweetly tears thee thine things thou art Thou hast Trilla unto verse W. C. Ward wanton weep Whilst wind youth
Popular passages
Page 223 - TELL me not, sweet, I am unkind, — That from the nunnery Of thy chaste breast and quiet mind To war and arms I fly. True, a new mistress now I chase, The first foe in the field ; And with a stronger faith embrace A sword, a horse, a shield. Yet this inconstancy is such As you, too, shall adore ; I could not love thee, dear, so much. Loved I not honour more.
Page 85 - Come away, come away, death, And in sad cypress let me be laid ; Fly away, fly away, breath ; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O, prepare it ! My part of death, no one so true Did share it.
Page 190 - Pelops' line, Or the tale of Troy divine ; Or what, though rare, of later age Ennobled hath the buskin'd stage. But, O sad virgin, that thy power Might raise Musaeus from his bower ! Or bid the soul of Orpheus sing Such notes, as, warbled to the string, Drew iron tears down Pluto's cheek, And made hell grant what love did seek...
Page 149 - How happy is he born and taught, That serveth not another's will! Whose armour is his honest thought, And simple truth his utmost skill...
Page 226 - Some men with swords may reap the field, And plant fresh laurels where they kill : But their strong nerves at last must yield ; They tame but one another still : Early or late They stoop to fate, And must give up their murmuring breath When they, pale captives, creep to death.
Page 88 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Page 89 - gainst his glory fight, And Time that gave, doth now his gift confound. Time doth transfix the flourish set on youth, And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow.
Page 150 - Who God doth late and early pray More of His grace than gifts to lend; And entertains the harmless day With a...
Page 85 - He is dead and gone, lady, He is dead and gone ; At his head a grass-green turf, At his heels a stone.
Page 81 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.