Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 168
... Constable's " skying " ( as he called it ) are evi- dent . Here for the first time we see that Constable has changed his skies - these are truly interesting clouds that do not so much obscure spatial boundaries as lead our eye out from ...
... Constable's " skying " ( as he called it ) are evi- dent . Here for the first time we see that Constable has changed his skies - these are truly interesting clouds that do not so much obscure spatial boundaries as lead our eye out from ...
Page 174
... Constable exhibition . But however wet they be- came , Constable's skies were never again as potentially dynamic . They carried light and rain down to earthly subjects rather than being the effervescent subject matter of the skies . In ...
... Constable exhibition . But however wet they be- came , Constable's skies were never again as potentially dynamic . They carried light and rain down to earthly subjects rather than being the effervescent subject matter of the skies . In ...
Page 184
... Constable's painting can hardly be understood as the result of his own efforts . The change came about too quickly ... Constable's meticulous copies of Cozens and by considering Constable part of the general romantic turn toward ...
... Constable's painting can hardly be understood as the result of his own efforts . The change came about too quickly ... Constable's meticulous copies of Cozens and by considering Constable part of the general romantic turn toward ...
Contents
The AntiSublime | 40 |
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
Copyright | |
9 other sections not shown
Common terms and phrases
aesthetic Alexander Cozens Ancient Mariner Arimanes Arlington Court artists attempt Barnett Newman beauty become Blake Blake's Byron Cave of Quietude clearly Coleridge Coleridge's color Constable Constable's Clouds cosmic cosmos Cozens Cozens's critics Cynthia daemons DEMOGORGON earth edge Endymion ethereal evil external fact forms Glaucus gloss Harold Bloom Hartman heaven hierarchy horizon Iamblichus imagination Indian Maid interest interpretations John Keats Keats's landscape light liminal look lucifugum Manfred Manfred's mantic Martin Mental Traveller mind mountains mystic nature Neoplatonic Neoplatonists ness nineteenth century Northrop Frye objects painters painting picturesque Platonic pleasure thermometer Plotinus poem poet poetic Poetry Prometheus Unbound psychological Rime Romantic Poetry romantic sublime Romanticism scene seems SEMICHORUS sense Shelley Shelley's six daemons skies soul space Study subconscious sublime sublime experience supernatural things threshold Tintern Abbey tion tradition transcendent Turner universe vision visual William words Wordsworth Yew Trees Zoroastrian