Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 152
I quite agree with Stuart Ende , who contends in Keats and the Sublime that Cynthia " dramatizes the ambivalence of the sublime ” and that the “ sublime experience with Cynthia is much like the moment of vision in other romantic poems ...
I quite agree with Stuart Ende , who contends in Keats and the Sublime that Cynthia " dramatizes the ambivalence of the sublime ” and that the “ sublime experience with Cynthia is much like the moment of vision in other romantic poems ...
Page 153
1 1 Above the ethereal level of Cynthia is indeed the " pure serene , ” the transcendent . I suspect that Keats originally intended to have Endymion arrive at the highest level , at empyreal transport , thereby making book 4 into a ...
1 1 Above the ethereal level of Cynthia is indeed the " pure serene , ” the transcendent . I suspect that Keats originally intended to have Endymion arrive at the highest level , at empyreal transport , thereby making book 4 into a ...
Page 155
I quite agree with Stuart Ende , who contends in Keats and the Sublime that Cynthia “ dramatizes the ambivalence of the sublime ” and that the “ sublime experience with Cynthia is much like the moment of vision in other romantic poems ...
I quite agree with Stuart Ende , who contends in Keats and the Sublime that Cynthia “ dramatizes the ambivalence of the sublime ” and that the “ sublime experience with Cynthia is much like the moment of vision in other romantic poems ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth