Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
From inside the book
Results 1-3 of 58
Page 149
In this “ map of consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection of his own psychological states . I have already discussed the subconscious world reflected in the subterranean Cave ...
In this “ map of consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection of his own psychological states . I have already discussed the subconscious world reflected in the subterranean Cave ...
Page 155
In this “ map consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection of his own psychological states . I have already discussed the subconscious world reflected in the subterranean Cave of ...
In this “ map consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection of his own psychological states . I have already discussed the subconscious world reflected in the subterranean Cave of ...
Page 155
Many critics have been uneasy discussing Glaucus's role in the poem , but when he is viewed as a mythic or analogical duplication of Endymion's own self , his role may be seen as having an organic , if not textual , necessity .
Many critics have been uneasy discussing Glaucus's role in the poem , but when he is viewed as a mythic or analogical duplication of Endymion's own self , his role may be seen as having an organic , if not textual , necessity .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth