Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 13
... Edward Malins, English Landscaping and Literature, 1660-1840; John Robert Watson, Picturesque Landscape and English Romantic Poetry; Ap- pleton, Experience of Landscape; John Barrell, The Idea of Landscape and the Sense of Place, ...
... Edward Malins, English Landscaping and Literature, 1660-1840; John Robert Watson, Picturesque Landscape and English Romantic Poetry; Ap- pleton, Experience of Landscape; John Barrell, The Idea of Landscape and the Sense of Place, ...
Page 225
See also Taylor , Thomas Dalton , John : influenced Constable , 169 Damon , S. Foster : on The Arlington Court Picture , 52n , 53 , 57 Danby , Francis : on cave imagery , 77 De Foe , Daniel , 76 de Loutherbourg , Philip James , 76 , 190 ...
See also Taylor , Thomas Dalton , John : influenced Constable , 169 Damon , S. Foster : on The Arlington Court Picture , 52n , 53 , 57 Danby , Francis : on cave imagery , 77 De Foe , Daniel , 76 de Loutherbourg , Philip James , 76 , 190 ...
Page 226
... Johann Gottfried : and ColeFlaxman , John , 186 ridge , 88 Fletcher , Angus : on Coleridge , 88 ; on Hoffman , Werner : and art history , Coleridge and Turner , 102 186-87 Forster , Thomas : influenced Con- Hopkins , Gerard Manley ...
... Johann Gottfried : and ColeFlaxman , John , 186 ridge , 88 Fletcher , Angus : on Coleridge , 88 ; on Hoffman , Werner : and art history , Coleridge and Turner , 102 186-87 Forster , Thomas : influenced Con- Hopkins , Gerard Manley ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth