Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
From inside the book
Results 1-3 of 73
Page 144
Di birinci vine In this context Keats is especially interesting , for his knowledge of sublimity is clearly more informed by science than by aesthetics or psychology . As an apprentice apothecary - surgeon he had more than a passing ...
Di birinci vine In this context Keats is especially interesting , for his knowledge of sublimity is clearly more informed by science than by aesthetics or psychology . As an apprentice apothecary - surgeon he had more than a passing ...
Page 153
I suspect that Keats originally intended to have Endymion arrive at the highest level , at empyreal transport , thereby making book 4 into a nineteenth - century Paradiso , but that he finally backed away from having his hero “ ensky'd ...
I suspect that Keats originally intended to have Endymion arrive at the highest level , at empyreal transport , thereby making book 4 into a nineteenth - century Paradiso , but that he finally backed away from having his hero “ ensky'd ...
Page 155
Still , with the exception of the ending , which is disjointed , we have seen Keats work out an organization that is systematic , if not finally coherent . Rather than mechanically show the growth of the poet's adolescent mind , Keats ...
Still , with the exception of the ending , which is disjointed , we have seen Keats work out an organization that is systematic , if not finally coherent . Rather than mechanically show the growth of the poet's adolescent mind , Keats ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth