Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 176
We know now that Shelley waited almost half a year after completing act 3 before adding these strange antiphonal hosannas , and it is logical that by this time — so imply the detractors — he may have forgotten the tune .
We know now that Shelley waited almost half a year after completing act 3 before adding these strange antiphonal hosannas , and it is logical that by this time — so imply the detractors — he may have forgotten the tune .
Page 184
But I am especially interested in what happened when Shelley attempted to describe this experience using the clouds as the sub - limen , the threshold . Like Constable , Shelley's interest in clouds was part scientific and part poetic .
But I am especially interested in what happened when Shelley attempted to describe this experience using the clouds as the sub - limen , the threshold . Like Constable , Shelley's interest in clouds was part scientific and part poetic .
Page 184
We know now that Shelley waited almost half a year after completing act 3 before adding these strange antiphonal hosannas , and it is logical that by this time - so imply the detractors — he may have forgotten the tune .
We know now that Shelley waited almost half a year after completing act 3 before adding these strange antiphonal hosannas , and it is logical that by this time - so imply the detractors — he may have forgotten the tune .
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth