Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 101
J. M. W. Turner , The Slave Ship - Slavers Throwing Overboard the Dead and Dying — Typhoon Coming On , 1839. Museum of Fine Arts , Boston , Massachusetts . 1 above the horizon is put together and how it is connected to the world within ...
J. M. W. Turner , The Slave Ship - Slavers Throwing Overboard the Dead and Dying — Typhoon Coming On , 1839. Museum of Fine Arts , Boston , Massachusetts . 1 above the horizon is put together and how it is connected to the world within ...
Page 102
1 for British Art , and the British Museum , had as its organizing theme Turner's contribution to the sublime . In fact , Andrew Wilton's descriptive catalog , Turner and the Sublime , has successive chapters on “ The Classic Sublime ...
1 for British Art , and the British Museum , had as its organizing theme Turner's contribution to the sublime . In fact , Andrew Wilton's descriptive catalog , Turner and the Sublime , has successive chapters on “ The Classic Sublime ...
Page 103
Witness as well what William Hazlitt is really saying underneath this laudatory snippet about Turner : We here allude particularly to Turner , the ablest landscape - painter now living , whose pictures are , however , too much ...
Witness as well what William Hazlitt is really saying underneath this laudatory snippet about Turner : We here allude particularly to Turner , the ablest landscape - painter now living , whose pictures are , however , too much ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth