Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
From inside the book
Results 1-3 of 56
Page
To do this I will have to compress and condense a good deal : not only will I treat just the visual or “ spectacular ” aspect of the sublime , I will concentrate specifically on one element , how the romantic artist's eyes lift from the ...
To do this I will have to compress and condense a good deal : not only will I treat just the visual or “ spectacular ” aspect of the sublime , I will concentrate specifically on one element , how the romantic artist's eyes lift from the ...
Page 19
The artist needed to leave his Claude - glass at home , needed to stop climbing those hills in search of downward “ prospect , needed to stop “ sweeping the horizon from commanding height " ; in short he needed to commit himself . " ?
The artist needed to leave his Claude - glass at home , needed to stop climbing those hills in search of downward “ prospect , needed to stop “ sweeping the horizon from commanding height " ; in short he needed to commit himself . " ?
Page 185
In the artist's barely conscious decisions concerning what to paint and where to stand to paint it reside many of the ... As interesting as what the individual artist does by himself is what happens when a generation of artists work out ...
In the artist's barely conscious decisions concerning what to paint and where to stand to paint it reside many of the ... As interesting as what the individual artist does by himself is what happens when a generation of artists work out ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth