Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 16
surpassing of conventions of reasonable limits, an attempt to come to terms with the unimaginable."14 1 hope to show by looking at visual and verbal texts (romantic "handwriting") that this is not entirely true. The surpassing of limits ...
surpassing of conventions of reasonable limits, an attempt to come to terms with the unimaginable."14 1 hope to show by looking at visual and verbal texts (romantic "handwriting") that this is not entirely true. The surpassing of limits ...
Page 113
cautious in attempting to be religiously " correct ” that the results are often ludicrous . ... found to be better partnered by John Martin than by anyone else when the time came to attempt to realize his conceptions in the theatre .
cautious in attempting to be religiously " correct ” that the results are often ludicrous . ... found to be better partnered by John Martin than by anyone else when the time came to attempt to realize his conceptions in the theatre .
Page 184
But I am especially interested in what happened when Shelley attempted to describe this experience using the ... the same time Constable was starting his cloud studies , is his most extended and self - conscious attempt to take us ...
But I am especially interested in what happened when Shelley attempted to describe this experience using the ... the same time Constable was starting his cloud studies , is his most extended and self - conscious attempt to take us ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth