Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 14
... Beautiful is deceptively clear . After discussing what constitutes " taste , " he separates the sublime from the beautiful : the beautiful is small , smooth , polished , light , and delicate , while the sublime is huge , rugged ...
... Beautiful is deceptively clear . After discussing what constitutes " taste , " he separates the sublime from the beautiful : the beautiful is small , smooth , polished , light , and delicate , while the sublime is huge , rugged ...
Page 86
... Beautiful , asserted that the sublime was always a synthesis of other aesthetic states.2 The elements could be ... Beautiful . . . , pp . 86-87 , even defines the picturesque as the synthesis of the beautiful and the sublime , mixing ...
... Beautiful , asserted that the sublime was always a synthesis of other aesthetic states.2 The elements could be ... Beautiful . . . , pp . 86-87 , even defines the picturesque as the synthesis of the beautiful and the sublime , mixing ...
Page 87
... beautiful at the same moment to the same mind , though a beautiful object may excite and be made the symbol of an Idea that is truly [ sublime . ] 3 In this important respect Coleridge was as revolutionary as Turner . In fact , I think ...
... beautiful at the same moment to the same mind , though a beautiful object may excite and be made the symbol of an Idea that is truly [ sublime . ] 3 In this important respect Coleridge was as revolutionary as Turner . In fact , I think ...
Contents
The AntiSublime | 40 |
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
Copyright | |
9 other sections not shown
Common terms and phrases
aesthetic Alexander Cozens Ancient Mariner Arimanes Arlington Court artists attempt Barnett Newman beauty become Blake Blake's Byron Cave of Quietude clearly Coleridge Coleridge's color Constable Constable's Clouds cosmic cosmos Cozens Cozens's critics Cynthia daemons DEMOGORGON earth edge Endymion ethereal evil external fact forms Glaucus gloss Harold Bloom Hartman heaven hierarchy horizon Iamblichus imagination Indian Maid interest interpretations John Keats Keats's landscape light liminal look lucifugum Manfred Manfred's mantic Martin Mental Traveller mind mountains mystic nature Neoplatonic Neoplatonists ness nineteenth century Northrop Frye objects painters painting picturesque Platonic pleasure thermometer Plotinus poem poet poetic Poetry Prometheus Unbound psychological Rime Romantic Poetry romantic sublime Romanticism scene seems SEMICHORUS sense Shelley Shelley's six daemons skies soul space Study subconscious sublime sublime experience supernatural things threshold Tintern Abbey tion tradition transcendent Turner universe vision visual William words Wordsworth Yew Trees Zoroastrian