Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 13
However, it must be acknowledged that Longinus, in one almost throwaway passage, does discuss what later became central in romanticism: Wherefore not even the entire universe suffices for the thought and contemplation within the reach ...
However, it must be acknowledged that Longinus, in one almost throwaway passage, does discuss what later became central in romanticism: Wherefore not even the entire universe suffices for the thought and contemplation within the reach ...
Page 30
Secondly , we have traced the process by which the imagery of the sky ceased to have a special kind of significance attached to it , and became simply assimilated to the rest of nature . 32 No longer bound up in the valuative terms of ...
Secondly , we have traced the process by which the imagery of the sky ceased to have a special kind of significance attached to it , and became simply assimilated to the rest of nature . 32 No longer bound up in the valuative terms of ...
Page 173
They became the “ chief organ of sentiment ” for the rest of his career ; in his later works the sky invariably creates the mood of the landscape below . Constable formed in clouds the metaphor of his own disposition : they became the ...
They became the “ chief organ of sentiment ” for the rest of his career ; in his later works the sky invariably creates the mood of the landscape below . Constable formed in clouds the metaphor of his own disposition : they became the ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth