Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 62
mantic poet's consciousness , and , naturally enough , it is the central theme of the Prelude , from the boating incident at Hawkshead ( Burkean sublime ) through the Ravine of Condo ( romantic sublime ) to the almost liminal experience ...
mantic poet's consciousness , and , naturally enough , it is the central theme of the Prelude , from the boating incident at Hawkshead ( Burkean sublime ) through the Ravine of Condo ( romantic sublime ) to the almost liminal experience ...
Page 115
While in the other poems the cosmologies often provide clues to possible interpretations , in Manfred the supernatural machinery is central . There is nothing extraneous in Manfred's heavens , no supernumeraries in the skies ; things ...
While in the other poems the cosmologies often provide clues to possible interpretations , in Manfred the supernatural machinery is central . There is nothing extraneous in Manfred's heavens , no supernumeraries in the skies ; things ...
Page 131
Because these spirits may be central to our understanding of changes in Manfred's consciousness , because they may well represent what Geoffrey Hartman considers a central event in romanticism , namely the " confrontation with a second ...
Because these spirits may be central to our understanding of changes in Manfred's consciousness , because they may well represent what Geoffrey Hartman considers a central event in romanticism , namely the " confrontation with a second ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth