Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 16
So Leigh Hunt, for instance, was clearly distressed by what he took to be the botching of sublimity at the end of Mozart's Don Giovanni and felt the need to reprimand the stage director. This may also be why Beethoven, who was clearly ...
So Leigh Hunt, for instance, was clearly distressed by what he took to be the botching of sublimity at the end of Mozart's Don Giovanni and felt the need to reprimand the stage director. This may also be why Beethoven, who was clearly ...
Page 69
So it is clearly not their absolute size that impresses the poet but their relative position . One yew in Lorton Vale stands single , presumably shown off against lower shrubbery , while the four of Borrowdale are clustered together ...
So it is clearly not their absolute size that impresses the poet but their relative position . One yew in Lorton Vale stands single , presumably shown off against lower shrubbery , while the four of Borrowdale are clustered together ...
Page 106
In this context Ronald Paulson , with Robert Penn Warren's comments clearly in mind , has made the following tantalizing comment : Turner makes use of similar lighting effects ( which include gleaming serpents ) but his sun is all ...
In this context Ronald Paulson , with Robert Penn Warren's comments clearly in mind , has made the following tantalizing comment : Turner makes use of similar lighting effects ( which include gleaming serpents ) but his sun is all ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth